Sandra‘s Closet

Yesterday, I was invited to explore the upcoming Thomas Sabo F/W 2011 collection. The presentation was held at the Asian restaurant Tao’s in Zurich and the location couldn’t have been better for the so-called „Exotic Issue – Pop goes Asia“ that draws inspiration from the electrifying nightlife of an Asian megacity, merging the power pop era of the ’80s with the coquettish charm of a ’30s Shanghai.

The new Thomas Sabo collection is dazzling and original, for both women and men. It brings up a kind of holiday feeling, the same you experience entering a foreign and magic world.

LB34 Leather Dragon bracelet with onyx, 925 Sterling silver

Enjoy the positive karma of the Buddhist Great Blessing symbols – which promise joy, health, peace and long life, among other things. What a lovely gift to surprise a beloved one!

Left: T0292 Panda pendant with white syn. zirconia and black enamel, T 0300 Fan pendant with black syn. zirconia and red enamel, 925 Sterling silver
Right: T0294 Panda pendant with white syn. zirconia, black enamel and a hand-crafted, white imitation pearl, 925 Sterling silver

Left: PE421 Lantern pendant with black syn. zirconia and red enamel, 925 Sterling silver
Right: H1755 Earrings with black syn. zirconia, 925 Sterling Silver

And not only for modern Geishas and Kung Fu fighters…

LoL, Sandra

Photos: © Thomas Sabo and © Debora Zeyrek for Tilllate

Chanel small leather goods are enjoying a new design with the Palette line, a collection of wallets, a coin purse, card holders, key holders, make-up bags, an iPhone case and an iPad clutch.

True to Chanel’s signature aesthetic, all pieces are covered in aged calfskin, the legacy of the iconic 2.55 bag, distinguished here by flat lozenge quilting. Available in metallic gold or silver tones with pastel-toned linings in white, dusty pink, grey and beige.

This generous range of sixteen pieces – each one as practical as it is desirable – will be available in Chanel boutiques from late September 2011.

LoL, Sandra

Photos: © Chanel

Naturally, the right skin protection is indispensable when the sun is shining like the last days. At the moment, my favourites are Lancôme’s new Génifique Sôleil releases. I have to admit that I hate applying suncreams but those sprays are easy and fast to use.

FACE
The lightweight melting and water-resistant formula for the face delivers optimal UVA-UVB protection. It works for all skin types, even sensitive.
The skin is ideally tanned and its youthful appearance is visibly protected.
Génifique Sôleil Visage SPF 15, 50ml, CHF 49.-

BODY
Lancôme has made a major scientific discovery: UV rays affect gene expression and reduce the synthesis of certain youth proteins. Therefore the French brand invented its first skin youth protein UV protector oil with a pleasant texture combining a broad UVA-UVB filter system and antioxidant complex Applied immediately before sun exposure, the skin is irresistibly sparkling and has a velvety soft touch feel.
Génifique Sôleil Huile Corps SPF 10, Spray, 200ml, CHF 51.-

AFTER SUN
The last step is the after sun care that moisturizes the skin perfectly while leaving it lovely scented. The tan is magnificently radiant and even, as if lit from within.
Génifique Après-Soleil, Crème Corps, Spray, 200ml, CHF 53.-

Depending on your own skin type, you might consider taking a higher UV protection.

LoL, Sandra

Photo: © Sandra Bauknecht

View from the top

The Mandarin Oriental, Paris has officially opened its doors yesterday. The new prestigious hotel is situated in a 30s art déco building on one of the most fashionable streets in the world, Rue Saint-Honoré, surrounded by high end fashion, haute couture and steps from the Louvre.

Rooms

The 99 rooms and 39 suites were conceived by distinguished architect Sybille de Margerie, designer of LVMH-owned Cheval Blanc. Patrick Jouin, who designed Jules Verne and Alain Ducasse at Plaza Athénée, designed the restaurant and bar spaces. 2-star Michelin chef Thierry Marx is in charge for your dining experiences.

The bar

The in-house spa works with Guerlain products and offers an indoor pool and a well-equipped fitness center.

The pool

I’ve just received notice about an exclusive grand opening offer. When booking („J’aime Paris“ rate starting at  €765) between July 17 and August 28, 2011, you will be treated to a €300 voucher per room, per stay or a €500 per stay per suite to be used in the restaurant or the spa.

I love brand-new hotels especially when you are one of the first guests in a room!
And isn’t Paris always worth a visit?

LoL, Sandra

Photos: Courtesy of Mandarin Oriental

 

What happens when you step into a dream? Or rather, what happens when you dream inside a dream?

 

Last week when I was in Milan, I stayed at the Maison Moschino. You are more than likely familiar with the Italian fashion brand Moschino and their second line Moschino Cheap and Chic but did you know that they also have a fantastic hotel?

Situated in an old neoclassical railway station on Viale Monte Grappa, 12, the hotel is the result of the creative work led by Rossella Jardini and Moschino’s creative team.

The minute you enter the lobby, you are  transported into a fantasy world. Moschino’s playful language of fashion has been transformed and adapted to design fanciful settings and surreal rooms that each tell their very own fairytale.

Divided into four floors, the 65 rooms and junior suites are all different. Magical and whimsical details reminiscent of Enchanted Forests and children’s favorites like Alice In Wonderland, Little Red Riding Hood and Candyland are the themes of some of the rooms. Other elements include walls climbing with ivy, cushions and lampshades covered in roses or ribbons, ballgown beds and mystery keys. The hotel also has a restaurant and a spa. Prices are very reasonable.

Photos: © Maison Moschino

My room could not have been a better match for me. I was sleeping in the closet. Welcome to 404 and enjoy exploring all those little illusory touches.

LoL, Sandra

Photos: © Sandra Bauknecht

Last December, I told you already about the beautiful Chanel Paris-Byzance Pre-Fall 2011 Collection and the gorgeous limited-edition byzantine shaded make-up that comes with it. Now it is available in the Chanel stores around the globe.

Inspired by the mosaic of Empress Theodora, Chanel Global Creative Director of Make-up Peter Philips created a beautiful, graphic look. Like the famous portrait, a red line crosses the eyelid, following the brow line. Parallel to this, a stroke of deep black eyeliner accentuates a graphic effect, which frames the eye as if setting a precious stone, redefining its proportions.

Inspired by Byzantine treasures, red, black, gold and bronze-tinged shades offer a classic base that can be adopted as desired in sumptuous or simply day-to-day makeup.

Rouge Allure Rouge Byzantin CHF 48.- / Joues Contraste Or and Rouge, each CHF 60.-

The Regard Signé de Chanel palette takes center stage: mirroring the Chanel suit button, each shadow is dressed in a quilted effect and stamped with the double C. The texture can be used in two ways, powdery and creamy.

Regard Signé de Chanel Topkapi CHF 77.-

Hurry, those items will sell out fast!

LoL, Sandra

Photos: © Chanel

When you hear the name Victorinox, you might associate it immediately with the Swiss Army Knife. But the Swiss brand has much more to offer, from travel luggage to watches to perfume and clothes.

I was recently invited to their hometown Ibach, Switzerland to visit the factory and to explore their newest project:
Christopher Raeburn for Victorinox – REMADE IN SWITZERLAND.

At the entrance a colourful and dramatic installation welcomed me presenting the capsule collection that the young UK designer has created for Victorinox for F/W 2011, consisting of eight items for both genders, each to be produced in a hand-numbered limited edition of 100 pieces.

“The project is a fantastic opportunity to align the innovation and individuality of my brand with the heritage and quality of Victorinox.”
– Christopher Raeburn.

Christopher Raeburn with me

From Parachute Poncho to Runway Couture

Raeburn has been known for his pioneering work taking old military surplus and transforming it into beautiful clothes since he launched in 2008 his label utilizing decommissioned military stocks of uniform and parachute fabrics to create functional and intelligent garments. Raeburn’s namesake designs are proudly REMADE IN ENGLAND in his small East London production facility.

For the project with Victorinox, he did the same. By taking apart the existing garments from local military surplus stores, he found inspiration and ideas to create new ones, re-imagining unexpected uses for the old and challenging the concept of what is considered new. Everything is proudly produced (“remade”) in Switzerland.

A rare find was a box of horseshoe nails that became the symbol of the project for Raeburn. He challenged Victorinox to recast that nail into scales for an Original Swiss Army Knife to complement the project. The nail also inspired a print used for linings and other graphic treatments.

For the project, Victorinox is working with local seamstresses and tailors. Corinne Kaiser, who is heading the team with Camilla from England, explained the process and the difficulties they experienced with some of the fabrics.

OFFICER’S PARKA constructed from surplus Swiss military sleeping bag outers, 2 front chest
pockets featuring reused original military Riri zips.

CAPTAIN’S COAT constructed from re-appropriated Swiss wool coats dating back up to 60 years and lined with over-dyed surplus Swiss military cotton bed sheets.

HORSESHOE NAIL KNIFE crafted from surplus military horseshoe nails melted down and recast as knife scales, packaged in reclaimed original coated paper box that held the nails.

PARACHUTE HOODIE constructed from 2 colours of surplus Swiss military air-brake
parachutes, tape from original parachutes and jersey cuffs from military balaclavas.

RECRUIT’S CAP constructed from offcuts of surplus Swiss military wool jackets and over-dyed cotton bed sheets, side panels can flip down to cover ears or fold up.

DUFFLE BACKPACK constructed from surplus heavy canvas Swiss tarpaulin with integrated
original buckles.

SENTRY’S SCARF constructed from surplus Swiss military blankets and over-dyed surplus Swiss military cotton bed sheets.

COCOON BLOUSON constructed from surplus Swiss military sleeping bags, reinforced with waterproof sleeping bag outer, can be roll packed like original sleeping bag.

The collaboration will be available throughout Victorinox flagships and most high-end shops worldwide. Check out the stop-motion preview below, it is pretty cool. Prices will range between CHF 700 – 2000 depending on the piece.

LoL, Sandra

Photos: © Sandra Bauknecht, Courtesy of Victorinox

„To me, photography is an art of observation…
It is about finding something interesting in an ordinary place.“
-Elliott Erwitt

Recently I was invited by the Swiss private bank Clariden Leu to attend a very special soirée to celebrate the one year renovation of their headquarter on Bahnhofstrasse 32 in Zurich with the amazing exhibition „A World of Pictures“ by Elliott Erwitt. The photography legend had been flown in especially for the evening and it was a real honour to meet him.

Clariden Leu’s ‘Leuenhof’ was built in Neo-Gothic style between 1914 and 1915 and its impressive art gallery is the ideal venue for art exhibitions.

Olivier Jaquet, CEO Clariden Leu, gave an introductory speech and Birgit Filzmaier, owner of the gallery “19th & 20th Century Fine Art Photography” (the place to go if you are interested in Elliott Erwitts’s work) the laudation.

Elliott Erwitt with Mike Baur, Clariden Leu’s new Head Private Banking Switzerland

“Elliott Erwitt’s Best Picture? The Next One.”

Elliott Erwitt was born in France of Russian émigré parents in 1928. His formative years were spent in Italy. At the age of 10 he moved with his family to France afterward immigrating to the United States in 1939.

 

Grace Kelly, New York City 1955.

„It was pure luck. Luck is essential in photography.”

-Elliott Erwitt

Distinguished as both a documentary and commercial photographer, Erwitt has taken some of the most memorable photos of the 20th century, including portraits of Marilyn Monroe, Jackie Kennedy and Grace Kelly, as well as astonishing scenes of everyday life, filled with poetry, wit and a special sense of humor. Famous for capturing absurd split-second moments and subtle glances, Erwitt’s work is truly masterful. He likes children and dogs.

Jacqueline Kennedy, at the funeral of JFK, Arlington 1963

Dog Legs, New York City 1974

In 1953 freshly decommissioned from military service, Elliott Erwitt was invited to join Magnum Photos as a member by its founder Robert Capa. To date he continues to be an active member and one of the leading figures in the competitive field of photography.

Elliott Erwitt is said not to like talking about his photos as they talk for themselves. In the conversation between him and Ettore Gualtiero Robbiani, Clariden Leu’s art specialist and curator of the in-house private art collection, Elliott Erwitt’s evident sense of humour showed in his very witty answers and made him perennially quotable. Enjoy!

Elliott Erwitt, welcome to Zurich. How are you?

Most of the parts are working!

I have to confess I am really fascinated by you. What is this egg about?

Everybody has a tag here and I felt lonesome having no tag.

You are an eyewitness to history and a dreamer with a camera. You took some of the most memorable photos of the century. Where do you see your cultural roots?

Photographers don’t need to have roots.

Do you ask for permission taking somebody’s photos?

You never ask for permission. You shoot first and hope that they don’t realise. In Japan, it is very easy to be a photographer because everybody is. In Muslim countries it is hard as nobody likes their picture to be taken. In France, they have privacy laws, if people see themselves in the magazine, they can sue you if you don’t have a permission.

Couple Kissing, Santa Monica, California 1955

 

Have you been sued ?

I was sued by people who thought that they were in the picture but they weren’t.

How did your interest in photography raise?

Because of family circumstances, I was on my own since the age of 16 and I had to make a living. Taken photographs was a good way. You don’t have a boss. My only permanent job that I ever had was with the US military army. Everything else has been freelance.

Did you like the army?

I didn’t mind it.

Did you have your camera with you?

Always. I took some of my best pictures when I was in the army.

What is today your favourite camera?

I don’t have a favourite camera. I divide between my professional and personal work. For clients, you have to use the tools you need to achieve the results that your clients expect. For my own personal work, I walk around with a small camera, my Leica usually and that is quite seperate. One thing is for business, one thing is for hobby.

Miami Beach, 1962

 

And talking about influences? What were your early influences in photography?

My early influences were Italian films after the war, neo-realist films of Fellini, Rosselini, people like that. That was my main influence and apart from that the photography of Henri Cartier-Bresson which are the gold standards in my view of photography.

When it comes to being influenced you named Edward Steichen as a mentor. How did he influence you?

He didn’t influence me, he was just very helpful at that time. I was very young and I could use some help. He got me my first job by calling somebody up. He could do that, he was a very powerful man. My influences were as I mentioned before.

You once said that photography is a craft that everybody with normal intelligence could learn? But to take it beyond the craft is when the magic comes in? How do you actually approach your magic moments in a photo? Is it all staging, set-ups?

I don’t get up in the morning and expect to do magic. I think that magic is in the eye in the beholder. You don’t plan things. Good photography is not planned unless it is work which is planned. Photography which is interesting to me is simply an art of observation, organising elements, making fine prints.

Marilyn Monroe, New York City 1956

 

Coming to magic moments. In your career, you portraited Marilyn Monroe. I tend to say that you showed her in a different way than we know her. How was Marilyn as a person?

I was afraid that you asked that. I am always asked that question. She was very nice, very photogenic. She looked better in pictures than in real life. Also she looked pretty good in real life as well. She was a sensitive person, a little bit nuts. She was very kind to me.

Whom of the famous persons that you met was meaningful to you?

Famous people are ordinary people that became famous. President Kennedy, Fidel Castro, of course that is interesting. Those people are very historic figures. And the problem of taking a picture of those famous people is exactly the same than taking it of ordinary people.

When you mentor young photographers what are looking for in their work?

Visual sense, application, a kind of burning ambition because it is very difficult to succeed in photography. Digital photography makes it easy to become a photographer but hard to become a good one. So you look for energy, for perserverance, and as I said most importantly for visual sense.

Metropolitan Museum, New York City, 1988

 

What about ego? Do you need a strong ego?

A strong ego gets generally in the way of things. People don’t react very well to people with a strong ego. If you have it, keep it private.

Who is your favourite photographer living or dead?

The ones that are in my agency Magnum. Henri Cartier-Bresson is the champion of them. There are some that are very promising. Photographers who work for the passion, those are the interesting ones. The ones only on assignment are not the interesting ones, they are just earning a living.

Do you collect yourself?

I am not a collector. But I have exchanged with some of my friends.

57th Street Gallery, New York City, 1963

 

This year, you received the Infinity Award 2011 for Lifetime Achievement from the International Center of Photography. Can you please describe what it is like to receive that honour? It is the lifetime Oscar  of photography.

It is a little bit embarrasing. It seems like your life is over. You get a nice dinner, a little statue, people think that you are okay. But it really shouldn’t influence you that much.

You son Misha is a photographer as well. When he told you about his future plans, how did you react? What advice did you give him?

Get a dayjob! But here is an amusing anecdote: When my father retired, he decided to become a photographer because he wanted to follow in his son’s footsteps which I thought was very sweet.

Thank you Mr Erwitt for coming!

Thank you all for showing up! I couldn’t imagine that I am that interesting.

What an honour: Elliott Erwitt with me.

LoL, Sandra

Summer has officially just started, but when it comes to fashion, we are right in the middle of winter.
The F/W 2011 ad campaigns are popping up and one of the most talked about this season is Prada’s „fashion maximalism“. Shot by Steven Meisel, the photos show never-before-seen faces such as Frida Gustavsson, Ondria Hardin, Dorte Limkilde, Kelly Mittendorf, Antonia Wesseloh and Julia Zimmer.

One thing is for sure, same as the S/S 2011 banana prints, those trompe l’oeil boots in bright and exotic skins will be seen everywhere the next season and the `60s colour block shift dress will be on every fashionista’s shopping list.

It wouldn’t be Miuccia Prada, if she didn’t surprise us once more. The face of her Miu Miu F/W 2011 ad campaign is 14-year-old actress Hailee Steinfeld who was photographed by Bruce Weber.

After nine seasons working with Mert Alas and Marcus Piggott, Miu Miu is going in a new direction, with this different and fresh campaign.

Those glitter booties are sure to get even more buzz, they are to-die-for! Same as the oversized clutch bags, preferably in fur.

LoL, Sandra

When I received Christian Louboutin’s new F/W 2011 lookbook, I could barely resist writing about it the same moment.

Photographer Peter Lippmann and Christian Louboutin, who previously worked together nearly two years ago, seeked inspiration from classic portrait paintings where in each of the pictures one new Louboutin item is featured.

Fashion meets art, a truly beautiful and different idea to present the new collection.

LoL, Sandra

Photos: Courtesy of Christian Louboutin, © Peter Lippmann