Sandra‘s Closet

At the moment, I am in Paris for many exciting events and I have so much to show you. Let me get you started with this:

Welcome to Prada’s “24 h Museum“, designed by Francesco Vezzoli with AMO, Rem Koolhaas‘ think tank. It has been open in Paris for 24 hours only, from yesterday till today in the historic Palais d’Iéna, the building designed by Auguste Perret between 1936 and 1946, today home of CESE (Conseil Economique, Social et Environnemental), the French ‘third Chamber’.

Miuccia Prada & Francesco Vezzoli

AMO’s installation for the “24 h Museum“ is divided in three sections, each inspired by a particular type of museum space: historic, contemporary and forgotten. The three sections are instrument to the sequence of events that take place during 24 hours in different areas of the ground floor of the Palais d’Iéna. The central space is a large metal cage made from grills and neon lights that encloses the work by Francesco Vezzoli.

In the three sections – historic, contemporary and forgotten – Vezzoli is creating a “non-existent museum“ where he shows his personal tribute to the eternal allure of femininity through interpretations of classical sculptures that make reference to contemporary divas.

At the top of the stairway, epicentre of the building, Vezzoli is placing a majestic sculpture of a female, reinterpreted with the features of a mysterious goddess. Vezzoli’s vision is of a museum that exists for just 24 hours and which is also a celebration of a collective rite that mixes visitors, red-carpet, Oedipus’ complex and night visions.

Yesterday night, the museum turned into a disco-club where I spotted Kate Moss who was djing and Dita von Teese who was rushing through the exhibition. Different events will be following the next few hours.

LoL, Sandra

Kate Moss

Don’t we just love Caroline Issa’s Prada earrings?!

A very special moment: A happy Anna Wintour with Jonathan Newhouse and Franca Sozzani.

Photos: © Sandra Bauknecht, Courtesy of Prada

“I loved working on the Lady Dior handbag. Most of my work builds on objects that already exist, which I then transform. I applied the same philosophy.”

– Anselm Reyes

When Fashion meets Art… Dior is collaborating with Berlin artist Anselm Reyle for S/S 2012. The original and vibrant collection of leathergoods, accessories and makeup, currently presented exclusively in a Miami pop-up Dior store during the Art Basel show is a dream and will be available worldwide in January 2012.

Dior has given to the artist total freedom on the creation of this collection and the outcome is vibrant and colourful. I definitely would like to own one of those bags!

 

ANSELM REYLE’S MAKEUP COLLECTION FOR DIOR

A „Camouflage“ Eyeshadow Palette
Adorned with the „Camouflage“ motif created for Dior, an eyeshadow palette offers a mixed harmony of violet, grey and black. Shiny and matt effects recall the artist’s leitmotifs and compose sophisticated eyes.

High-Impact Nail Lacquers
The nail lacquers are playful complements that set the tone in explosive colours. Bold violet of ultra-violet, deep black of untitled black, vivid pink of pink graffiti, vibrant blue of electric blue and a subtle silver of metallic silver compose an electrifying quintet that brings to mind Anselm Reyle’s passion for neon shades.

Here are some photos of the Dior pop-up store,
Miami Design District, 191 NE 40th Street, Miami, FL

LoL, Sandra

Photos: Courtesy of Dior

I just spent 48 hours in London that were filled with many interesting events, parties and meetings. Let me get started with the launch party for the ‘Cabinet de Curiosites de Thomas Erber’ 2011.

After his successful collaboration with Parisian concept store Colette in 2010, fashion consultant and former journalist Thomas Erber has brought his cabinet to Browns in London. Showcasing a very interesting selection of pieces including everything from fashion and furniture design, to travel packages, art and photography, Erber has gathered many internationally renowned artists and designers to fill his cabinet with their most unique creations.

My key to “Le Cabinet de Curiosités de Thomas Erber”

Thomas Erber with me

„My quest, has always been to push the limits of creativity, to me it is the only thing that feeds the dream living in each of us. Browns, since the beginning, has been the coolest place in the city to me, it has always defended elegance and most importantly independent designers more than anything or anyone else in London.“

– Thomas Erber

Designer Christopher Kane with me (Love his designs! Click here for a previous post)

Here are my favourite curiosities:

FASHION

Rodarte – The Piece

In 2011, the Rodarte sisters, Kate and Laura Mulleavy, joined with two of the world’s most highly acclaimed photographers, Catherine Opie and Alec Soth, to create the first publication to explore and examine the world of Rodarte.

For Thomas Erber’s cabinet at Browns, Rodarte have collaborated with artist Rebekah Miles on a one of a kind book cover, hand painted with an image from the book.

£ 250

Lulu Guinness – The Piece

Designed to befit the expression, “Beauty is in the eye of the Beholder”, this bespoke bag is characteristic of Lulu’s wit and charm. The cubic evening bag is covered in black satin with a wrist strap and is presented in another larger cube which is hand-embroidered with the designer’s iconic handwriting.

£ 1995

 

Manolo Blahnik – The Piece

“Albero” – an exquisitely delicate shoe. Crafted in crocodile, silk satin leaves encase the ankle, while the foot rests on orange satin lining.

£ 3850 (size 37)

 

Melinda Gloss – The Piece

Melinda Gloss is the in 2006 established label by childhood friends Rémi de Laquintane and Mathieu de Ménonville.

High quality meets high fashion, as a traditional tweed overcoat is given a modern dressing-down by a hooded inner-layer. Raw edging gives the reassuringly weighty material a sense of lightness without compromising its warmth.

The three coats are available in size 50 for £ 1750 each.

CURIOSITIES & ART

I-Woodesign

A unique jewelry box and watch box in Tamo Ash, one of the rarest and most reasured woods in the world. Sleek and sophisticated by design, the rich finish of the wood results in a piece which is strikingly superior in every sense.

Jewelry Box £ 7200, Watch Box £ 6300

Hungarian-born artist Kata Legrady is a very interesting woman to talk to. She has attracted international fame for her iconic series “Guns & Candies”. A former child soldier, she draws inspiration from her childhood memories.

While we were talking, this bag by Christian Louboutin caught her eyes. It reminded her of a bomb, funny enough!

Kata Legrady – The Piece

‘A 47 Kalashnikov, multicolour original gun with applicated “Smarties” covered with Plexiglass’

The internationally celebrated series, “Guns and Candies” was started in 2008, and is a set of colourful and oversized pieces exploring Legrady’s double fascination with war arms and candies. The Smarties are simultaneously enigmatic, alluring and scary, and appear to leave a residual trace on the retina, like a persisitent dream or a meditative vision. Truly popular art in the very Warholian meaning of the word, these images and artifacts are universally accessible and immediately identifiable. They demand only a little empathy from the viewer’s part, therefore investing each beholder with a power to reveal both their symbolic and artistic qualities.

£ 25000

London based designer Paul Kelley

Paul Kelley – The Piece

A stainless steel polished desk/dressing table with a mirror and a blue acrylic lined interior. The handsome yet elegant work boasts solid brass-plated drawers and solid teak interiors.

£ 54000
All photos above: © Sandra Bauknecht

 

TRAVEL

“Riders”, 40 x 60 cm, Silver gelatine print, fiber paper, B & W, argentic print, single copy. Especially made for the Cabinet Of Curiosities of Thomas Erber, 2011 edition at Browns by Elina Kechicheva, £ 1840.

LES VOYAGES DE THOMAS BY KUONI

The Road Trip

A mesmerizing and romantic road trip leads to Uruguay, to the edge of the end of the world, just between the “elder brothers” of Brazil and Argentina, and along the Uruguayan coast – which will slowly unveil its mysteries and wonders in a land that is yet to be fully discovered.

A ten day trip will start approximately at £2150 per person (without flights).

Photographs by Elina Kechicheva also available, £ 1840

The Family Safari

A magical, adventurous family trip to the heart of rugged but soulful Namibia, the “king country”, a jewel located on the west coast of southern Africa. Travelers will venture away from the famous Skeleton Coast to the untouched Namib Desert, where safaris are still real and wild – and will be accompanied by dedicated and knowledgeable local people who will help them to experience the real Namibia.

A ten day trip will start approximately at £ 4285 per person (without flights).

 

The after party took place in London’s newly opened up hot spot: Le Baron.
Here are some photos of the night:

Mark van Huisseling with me

Christian Louboutin and Henry Holland

Mickey got all excited seeing…

…a half naked beauty. 
Photos: © Jean Picou

A real cabinet of curiosties!

LoL, Sandra

The reason for my trip to Milan this week was the opening of “O’Clock – time design, design time” with Officine Panerai as the main partner. The exhibition is curated by Silvana Annicchiarico and Jan van Rossem, with a special exhibition design by Patricia Urquiola that analyses the relationship between the concept of time and design, on display at Milan Triennale from 11th October 2011 to 8th January 2012.

The works on show describe the way in which  some 80 international designers and artists have interpreted or represented one of the fundamental themes of our culture, that of time.

Patricia Urquiola has also created for Officine Panerai the installation “I mondi di Officine Panerai” (The worlds of Officine Panerai), presented here for the first time, in which eight watch models recount, as protagonists, the design of Panerai. The installation, positioned at the end of the exhibition, is open from 11th to 23rd October and consists of eight models in as many display cases, in which the watches are presented in a setting that skilfully blends humour and poetry and create the effect of a time tunnel which appears to possess a soul, that of time.

If the link between the concept of time and a brand of high-end timepieces is obvious and immediate, the same can be said of the connection between Panerai and the world of design. The Radiomir and Luminor, created in the 1930s and 1940s for the Italian Navy frogmen commandos, have become icons of fine watch-making since their launch in the 1990s.

Damien Hirst, Beautiful Sunflower Panerai Painting

On the occasion of the exhibition the famous British artist Damien Hirst is premiering two works, made using the spin painting technique and using dials from Panerai watches and household gloss on canvas: Beautiful Sunflower Panerai Painting and Beautiful Fractional Sunflower Panerai Painting.

“I love Panerai”, declared the British artist. “The watches are timeless and I made this spin painting using black Panerai watch faces without hands in the pattern of the seeds in the head of a sunflower – I hope the painting makes you think, we are here for a good time, not a long time.”

Damien Hirst, Beautiful Fractional Sunflower Panerai Painting
© 2011 Damien Hirst and Science Ltd. All rights reserved DACS, 
Photos: by Prudence Cuming Associates

By the way, Damien Hirst has included Panerai watches on several occasions in the past in his works: a Panerai watch is painted on a table next to medicines and a skull in “Skull with Watch” from 2005 and is physically present in the installations “The Tranquility of Solitude (for George Dyer)” (2006), and “Killing Time” (2008).

Gomitolo Clock
Carlo e Benedetta Tamborini
Diamantini & Domeniconi, 2008
courtesy Diamantini & Domeniconi

A cotton-knit cover; almost as if to suggest a subtle link between the technique of measuring time and the art of weaving.

One of my favourite art works is the following, created with different pieces of furniture:

The bug – Time Machine
Patricia Urquiola
site-specific, 2011

Time has always been an obsession for humanity in that it is the least controllable and modifiable element. The strongest limit to be overcome and on which technology and progress can intervene least of all. Dealing with our being limited, with a deadline, which we can try to extend, but not avoid. Dealing with eternity and the impossibility of experiencing it. The curiosity of being able to foresee or read the future, the primary search of every civilization, which perpetuates itself in continuous unlikely and unfound attempts, based on foundations comparable to beliefs. Power linked to a supposed control of time, by means of forecasts, surveys, readings, premonitions, the study of cycles, the creation of systems, genetic analysis, preventative tests, séances, oracles, reading of cards, bones, animal guts, the hand, the stars. To be able to make money on the stock market, to know society’s moods, the opinions of the decision-makers, to create consensus, prevent, anticipate, control. The final solution? Invent a time machine just like the train, the car, the airplane and the spaceship were invented.
Further and further away, faster and faster, in less time, but always and only in the present and space.
The bug is a worm, an insect, something unforeseen, an error, an act of nature or something artificial, like a metaphor for the impossibilty of total control of time.

Patricia Urquiola

Patricia Urquiola in front of her time machine

Patricia Urquiola with me

Poster Plants
Oscar Diaz
2011
courtesy Oscar Diaz

A piece of white paper with a paper tree with branches and a vase filled with green paint. The special material used to make the poster causes the green paint to be absorbed at regular intervals by the branches, so that the plant can „grow“ in the space of a few months.

Domino
Albin Karlsson
2005
courtesy Albin Karlsson

Dominoes arranged into the symbol of infinity fall one after the other in a chain reaction, to then rise again as if controlled by an invisible hand, ad infinitum.

Clock
Christiaan Postma
2008 
courtesy Christiaan Postma

At 3:00 on the clock’s right side, the word THREE will appear, fading out as time passes; then, at about 3:30, the word FOUR will slowly begin to emerge.

Eternity
Alicia Eggert, Mike Fleming
2010
courtesy Alicia Eggert & Mike Fleming

30 clocks and 36 black hands for the hours and the minutes move so as to form the word Eternity every 12 hours and only for a few secons on a white acrylic panel.

Givenchy
Riccardo Tisci
2011
courtesy of Sandra Bauknecht

This one was a little joke…got you? But sometimes clothes are pieces of art.
My look for the exhibition opening: Black and white dress and ruffled jacket with zipper detail by Givenchy, suede pumps by Yves Saint Laurent, stay-ups “Bonny Dots” by Wolford and cocktail ring by Dior Haute Joaillerie.

“Life can only be understood backwards; but must be lived forwards” – Sören Kierkegaard

LoL, Sandra

Suryia Hill to the right with me, Photos: © Sandra Bauknecht

“Blue has no dimensions. It is beyond dimensions, whereas the other colours are not.” 
– Yves Klein

During the last days, I have been telling you all about the vibrant blue fashion trend. Here you see an art work that would match perfectly: Yves Klein’s Victoire de Samothrace by Lalique, 2011. The sulpture  is a limited edition of 83 crystal pieces, in tribute to the late artist Yves Klein who would have been 83 years old this year, combining two artistic approaches, the one of Lalique and the one of Klein.

Yves Klein (1928-1962), inventor of the IKB (International Klein Blue), a distinctive ultramarine blue, is considered to be one of the most important protagonists of the post-war artistic avantgarde.
René Lalique (1860-1945) was a major player of the Art Nouveau and subsequent Art Deco movement. His perfume bottles and glass designs transformed the female shape into a sensuous and mysterious body within the decorative home.

This weekend, I was invited to the private viewing at Galerie Gmurzynska. The sculpture is based on its namesake, an iconic work from Greek antiquity held in the Louvre, for which Klein obtained the moulds in 1962. Lalique have recreated Victoire de Samothrace with the lost wax technique, which René Lalique used for his original jewellery creations. The works are individually crafted and sculptured by the master glassmakers, making each crystal edition unique.

The new version, to be made by Lalique’s craftsmen, is priced at £75,000. Daniel Moquay, the president of the Yves Klein Foundation, who is married to Klein’s widow, told the British Telegraph that he has approved the enterprise and the price: “It is not a copy, it is a reinterpretation in the spirit of Yves Klein. But it won’t be included in the artist’s catalogue raisonné. It is 100 per cent Lalique.”

LoL, Sandra

Photos: © Sandra Bauknecht

Last Friday, I went to the opening of Marco Perego’s first solo exhibition in Switzerland entitled “Secrets” curated by Isabelle Bscher at Galerie Gmurzynska. The exhibition features works from 2011 including 
3 sculptures, 40 drawings and 10 paintings and will be open until October 25, 2011.

The artist Marco Perego with me last Friday at the opening

Perego, born 1979 in Verona, Italy, is a very good-looking former soccer star who is now based in Los Angeles. He has presented solo shows worldwide, including a solo exhibition at the Museo Archeolgico Nazionale in Florence in 2008. In the same year, he unveiled one of his most controversial pieces, “The only good rockstar is a dead rock star”, a sculpture of a dead Amy Winehouse lying in a pool of blood, long before the soulful R’n’B songstress met an untimely end past July. In 2008 his painted works formed the background of Dolce & Gabbana’s advertising campaign. His animated film “Burn to Shine” will premiere next year at Sundance Film Festival.

Dolce & Gabbana’s S/S 2008 ad campaign with Marco Perego’s paintings in the back

Marco Perego with Isabelle Bscher*

Perego’s Portrait of Isabelle Bscher, Mixed media on paper, 2011

In 2007 Marco describes himself in an interview with the New York Observer like this: “I just believe in my dreams, the sun in the face, wind in the back, the rest take care from the destiny to dance with the stars.” He spent a year with Shamans in Argentina, after which he started his series „Secrets“. Perego who has taken inspiration from Freuds dream analysis, told Bscher: „These are drawings of the unconsious, of the inner demon within.“

The artist is known for his controversial paintings, often a fantasy that perverts images that we take for granted as innocent. For example, when the Evil Queen drops all pretensions of prude as well as her knickers in front of the Seven Dwarves.

Vladimir Restoin-Roitfeld with me

Vladimir Restoin-Roitfeld, Carine Roitfeld’s son, art dealer and curator himself, counts the artist amongst his closest friends. So no wonder, he came with an entourage of famous and close friends to the opening, among them Fiat scion Lapo Elkann and Starvos Niarchos.

From left to right: Mathias Rastorfer, Andrea Kracht, Marco Perego and Lapo Elkann*

Famous friends: Niclas Pol, Vladimir Restoin-Roitfeld, Starvos Niarchos, Andy Valmorbida with Marco Perego.*

About his life in the city and his friends he said once to the New York Observer: “It’s the same, because I never forget where I’m from. I am the same kid. I love to sit down and be like a voyeur. I love to watch people, and feel like a pirate. My friends are the best pirates in the world. I promise.”

Marco Perego, La terre et la lune, 2011, Gypsum, 158 x 140 x 140cm

I especially love the sculpture “La terre et la lune“.
You can count me definitely among Perego’s fans.

LoL, Sandra

My outfit last Friday: 
Baseball jacket, striped pants and top by Balmain, patent shoes by Stella McCartney and bag by Gucci.

Photos: © Sandra Bauknecht, Photos with* are courtesy of Galerie Gmurzynska

Recently I came across the work of Swedish photographer Linus Morales. His “Fabfood” is really fun, my favourites are the Chanel sausages (no wonder being a German girl).

The Fabfood prints are available for sale. In edition of 100 c type prints (84.1 x 59.4 cm) signed and numbered by the artist, for 100£ plus shipping. If your interested in a print or have any questions, please contact the artist via e-mail .

LoL, Sandra

Photos: © Linus Morales

Today is Swiss National Day that is celebrated with fireworks and a public holiday.
August 1st is to the Swiss what July 4th is to Americans, or July 14th to the French. This day was chosen because August 1st 1291 was the date on which three Alpine cantons swore the oath of confederation, an act which later came to be regarded as the foundation of Switzerland.

So for me a good reason to honour our well-known Swiss designer Albert Kriemler (who is loved by Charlene de Monaco) and his Akris collection for F/W 2011. He seeked inspiration from the Vienna Secession movement which was best seen in the beautiful fall colours he used, from a golden yellow to caramel and russet.

My favourite is the photo print of architect and Vienna Secession founder Joseph Maria Olbrich’s Wedding Tower (Darmstädter Hochzeitsturm) that Kriemler put on dresses, shirts and a floor-length cape.

For those of you who are not familiar with the Vienna Secession movement, here is some more information: Also known as the Union of Austrian Artists, or Vereinigung Bildender Künstler Österreichs, the Vienna Secession was formed in 1897 by a group of Austrian artists, among them Gustav Klimt, Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich and Max Kurzweil. The movement included painters, sculptors, and architects.

To all Swiss, Happy National Day!

LoL, Sandra

„To me, photography is an art of observation…
It is about finding something interesting in an ordinary place.“
-Elliott Erwitt

Recently I was invited by the Swiss private bank Clariden Leu to attend a very special soirée to celebrate the one year renovation of their headquarter on Bahnhofstrasse 32 in Zurich with the amazing exhibition „A World of Pictures“ by Elliott Erwitt. The photography legend had been flown in especially for the evening and it was a real honour to meet him.

Clariden Leu’s ‘Leuenhof’ was built in Neo-Gothic style between 1914 and 1915 and its impressive art gallery is the ideal venue for art exhibitions.

Olivier Jaquet, CEO Clariden Leu, gave an introductory speech and Birgit Filzmaier, owner of the gallery “19th & 20th Century Fine Art Photography” (the place to go if you are interested in Elliott Erwitts’s work) the laudation.

Elliott Erwitt with Mike Baur, Clariden Leu’s new Head Private Banking Switzerland

“Elliott Erwitt’s Best Picture? The Next One.”

Elliott Erwitt was born in France of Russian émigré parents in 1928. His formative years were spent in Italy. At the age of 10 he moved with his family to France afterward immigrating to the United States in 1939.

 

Grace Kelly, New York City 1955.

„It was pure luck. Luck is essential in photography.”

-Elliott Erwitt

Distinguished as both a documentary and commercial photographer, Erwitt has taken some of the most memorable photos of the 20th century, including portraits of Marilyn Monroe, Jackie Kennedy and Grace Kelly, as well as astonishing scenes of everyday life, filled with poetry, wit and a special sense of humor. Famous for capturing absurd split-second moments and subtle glances, Erwitt’s work is truly masterful. He likes children and dogs.

Jacqueline Kennedy, at the funeral of JFK, Arlington 1963

Dog Legs, New York City 1974

In 1953 freshly decommissioned from military service, Elliott Erwitt was invited to join Magnum Photos as a member by its founder Robert Capa. To date he continues to be an active member and one of the leading figures in the competitive field of photography.

Elliott Erwitt is said not to like talking about his photos as they talk for themselves. In the conversation between him and Ettore Gualtiero Robbiani, Clariden Leu’s art specialist and curator of the in-house private art collection, Elliott Erwitt’s evident sense of humour showed in his very witty answers and made him perennially quotable. Enjoy!

Elliott Erwitt, welcome to Zurich. How are you?

Most of the parts are working!

I have to confess I am really fascinated by you. What is this egg about?

Everybody has a tag here and I felt lonesome having no tag.

You are an eyewitness to history and a dreamer with a camera. You took some of the most memorable photos of the century. Where do you see your cultural roots?

Photographers don’t need to have roots.

Do you ask for permission taking somebody’s photos?

You never ask for permission. You shoot first and hope that they don’t realise. In Japan, it is very easy to be a photographer because everybody is. In Muslim countries it is hard as nobody likes their picture to be taken. In France, they have privacy laws, if people see themselves in the magazine, they can sue you if you don’t have a permission.

Couple Kissing, Santa Monica, California 1955

 

Have you been sued ?

I was sued by people who thought that they were in the picture but they weren’t.

How did your interest in photography raise?

Because of family circumstances, I was on my own since the age of 16 and I had to make a living. Taken photographs was a good way. You don’t have a boss. My only permanent job that I ever had was with the US military army. Everything else has been freelance.

Did you like the army?

I didn’t mind it.

Did you have your camera with you?

Always. I took some of my best pictures when I was in the army.

What is today your favourite camera?

I don’t have a favourite camera. I divide between my professional and personal work. For clients, you have to use the tools you need to achieve the results that your clients expect. For my own personal work, I walk around with a small camera, my Leica usually and that is quite seperate. One thing is for business, one thing is for hobby.

Miami Beach, 1962

 

And talking about influences? What were your early influences in photography?

My early influences were Italian films after the war, neo-realist films of Fellini, Rosselini, people like that. That was my main influence and apart from that the photography of Henri Cartier-Bresson which are the gold standards in my view of photography.

When it comes to being influenced you named Edward Steichen as a mentor. How did he influence you?

He didn’t influence me, he was just very helpful at that time. I was very young and I could use some help. He got me my first job by calling somebody up. He could do that, he was a very powerful man. My influences were as I mentioned before.

You once said that photography is a craft that everybody with normal intelligence could learn? But to take it beyond the craft is when the magic comes in? How do you actually approach your magic moments in a photo? Is it all staging, set-ups?

I don’t get up in the morning and expect to do magic. I think that magic is in the eye in the beholder. You don’t plan things. Good photography is not planned unless it is work which is planned. Photography which is interesting to me is simply an art of observation, organising elements, making fine prints.

Marilyn Monroe, New York City 1956

 

Coming to magic moments. In your career, you portraited Marilyn Monroe. I tend to say that you showed her in a different way than we know her. How was Marilyn as a person?

I was afraid that you asked that. I am always asked that question. She was very nice, very photogenic. She looked better in pictures than in real life. Also she looked pretty good in real life as well. She was a sensitive person, a little bit nuts. She was very kind to me.

Whom of the famous persons that you met was meaningful to you?

Famous people are ordinary people that became famous. President Kennedy, Fidel Castro, of course that is interesting. Those people are very historic figures. And the problem of taking a picture of those famous people is exactly the same than taking it of ordinary people.

When you mentor young photographers what are looking for in their work?

Visual sense, application, a kind of burning ambition because it is very difficult to succeed in photography. Digital photography makes it easy to become a photographer but hard to become a good one. So you look for energy, for perserverance, and as I said most importantly for visual sense.

Metropolitan Museum, New York City, 1988

 

What about ego? Do you need a strong ego?

A strong ego gets generally in the way of things. People don’t react very well to people with a strong ego. If you have it, keep it private.

Who is your favourite photographer living or dead?

The ones that are in my agency Magnum. Henri Cartier-Bresson is the champion of them. There are some that are very promising. Photographers who work for the passion, those are the interesting ones. The ones only on assignment are not the interesting ones, they are just earning a living.

Do you collect yourself?

I am not a collector. But I have exchanged with some of my friends.

57th Street Gallery, New York City, 1963

 

This year, you received the Infinity Award 2011 for Lifetime Achievement from the International Center of Photography. Can you please describe what it is like to receive that honour? It is the lifetime Oscar  of photography.

It is a little bit embarrasing. It seems like your life is over. You get a nice dinner, a little statue, people think that you are okay. But it really shouldn’t influence you that much.

You son Misha is a photographer as well. When he told you about his future plans, how did you react? What advice did you give him?

Get a dayjob! But here is an amusing anecdote: When my father retired, he decided to become a photographer because he wanted to follow in his son’s footsteps which I thought was very sweet.

Thank you Mr Erwitt for coming!

Thank you all for showing up! I couldn’t imagine that I am that interesting.

What an honour: Elliott Erwitt with me.

LoL, Sandra

Most of us might be in the mood for art, the Biennnale, Art Basel just in front of us, so much to be inspired from. Have you ever dreamt of carrying your favourite piece of art around with you? Here is your chance to explore wearable art. Meet Des Artistes:

The Munich based label is an eco-and socio-conscious line of conceptual printed tees featuring work from notable and emerging contemporary artists. The T-shirt becomes a canvas upon which to inspire and explore the human spirit.

Launched in 2009, Des Artistes reflects a creative mindset that is fueled by contemporary art. Every season the brand showcases artists from a range of backgrounds, genres, ages and cultures to maintain its ongoing evolution. Every artist is acknowledged on every tee, rightfully so.

Des Artistes strives to use the finest organic and sustainable fabrics in combination with super low-impact waterbased inks. The aim is to make awareness with real art that inspires. To that end, a portion of sales will benefit a different charitable organization each season.

Below you can find some of my favourite tees:

108 (born 1978) is an Italian artist in the field of street art from Alessandria.

108 has moved from working in traditional graffiti art to painting large and mysterious figures that invade public spaces. He was one of the first writers to use numbers instead of letters for his name. He started to work when he was a child on the streets of Alessandria, and used different names. His work has appeared on the streets of Milan, Paris, London, Berlin, and New York City. His first works known by people are enigmatic “blob”-like yellow shapes. It is his firm intention to make visual chaos. His new works are labyrinths, dead trees, 3D objects and installations, but especially black and gloomy shapes.

 

“My art is about following my impulses as to what I feel is beautiful, interesting, and poetic.”
–       Franco Mondini-Ruiz

The son of an Italian father and a Mexican mother who grew up in San Antonio, Mr. Mondini-Ruiz gave up a law career to become a full-time artist in 1995. His first works were installations that favored kitschy found objects, then smaller assemblages of same. Accessibility, portability and spontaneity were key concepts.

Invited to be in the 2000 Whitney Biennial, Mr. Mondini-Ruiz sold objects on the street in front of the museum, some of them made on the spot, for 10 cents to $10. A few years ago, he took up painting in earnest, determined to initiate people into the joys of art collecting and also to bring different communities into contact with one another. He staged shows in Charlotte, N.C., San Antonio, Rome and Florence, selling quantities of paintings for $99 or 100 euros each in a few hours. Demand never exceeded supply: if someone wanted a painting that was already sold, he would make a copy, guaranteeing that it would be ”as good or better.”

Charles Anderson is a painter whose work plays with the relationship between art, its context and those by whom it is viewed. His paintings explore art’s role throughout history and the ever-changing importance of painting within the art world.

Charles incorporates a diverse range of techniques to create layers of imagery taken from aspects of popular culture: newspaper headlines, beer bottle labels, nightclub flyers and fashion among them. The results are rhythmical paintings which provoke more questions perhaps than they answer, constantly challenging the viewer’s senses and understanding of what constitutes art. Does a fabricated relationship create the image or does the image define the relationship? In the end, it is the viewers who decide by drawing whichever connotations of modern life are relevant to them. The work of this award-winning artist is included in international collections, including British Airways.

Elvira Bach is a Berlin-based artist. In 1982 at the age of 29, she was invited to participate at the documenta VII, one of the most important modern and contemporary art exhibitions. Many of her works have been strongly influenced by her time spent as an artist in residence in the Dominican Republic.

A recurring and central theme in her sensually bright and vigorous paintings is the woman in her sexually-determined existence. It turns out that the similar-looking women depicted in her paintings is Bach herself. In 1978 she began to paint self-portraits often disguised as still-lifes, using an array of utensils and accessories with which she defines herself as a woman. Explicitly erotic elements dominated her work in the early 80s. In the late 80s, her work began to transform to a more reserved style.

Proceeds will be donated to SOS Kinderdorf / Children‘s Villages.

For my Zurich based readers, I recommend a visit to Nina Arnold-Shah, owner of Kids and the City. This week on Tuesday, June 7th and Wednesday, June 8th, she is having a very special Shopping Spree at her house where you can explore those amazing designs among other great stuff. For further enquiries, please do not hesitate to contact her on her mobile +41 79 768 37 23.

See you at Nina’s!

LoL, Sandra