Sandra‘s Closet

Yesterday I had an amazing experience with Christian Louboutin, when I visited his small atelier, the famed L’Atelier Sur Mesure, on Rue Jean-Jacques Rousseau, which is reserved for private customers and one-of-a-kind creations. It is located just a few doors from the first-ever Christian Louboutin store.

Most of the footwear is manufactured and produced at his factory in Milan, but here dreams come true as you can enjoy a made to measure service. This is haute couture for your feet. Here your measurements matter when you start a meticulous 8-step process to achieving the perfectly sculpted pair of shoes.

When you arrive at Christian Louboutin’s Paris Atelier, your Cinderella journey starts. Several key points of your feet will be measured. After that, precise, three-dimensional imprints are made by stepping into foam moulds.

You will have to choose which silhouette will be your base, for example the Kate or the Pigalle pumps, and you are then spoilt for choice, with the opportunity to customize your preferred silhouette, heel height, toe shape, desired material and other embellishments.

Three-dimensional foot casts are sculpted, that help the artisans to create the shoe’s first draft by hand in leather before other specialists sew and assemble the final product. This process takes months as these drafts undergo multiple reassessments and adjustments before reaching their final, impeccably finished state. Every shoe is ultimately approved by Christian Louboutin, himself and you as a client are allowed immense involvement in the entire process, through the sharing of ideas and expectation.

I personally experienced the craftsmanship to apply Swarovski crystals to the satin base of the shoe. It is such a difficult procedure and you appreciate the skills of the artisans even more.

Visiting the L’Atelier Sur Mesure was an incredible experience especially as I am obsessed with shoes.

LoL, Sandra

Photos: © Sandra Bauknecht
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Rolls-Royce Motor Cars unveils Phantom Syntopia, an intricate, Haute Couture-inspired masterpiece created in collaboration with renowned Dutch fashion designer and Haute Couturière Iris van Herpen. Based on Phantom Extended – the ultimate blank canvas for personalisation – it is the most technically complex commission ever undertaken by the Rolls-Royce Bespoke Collective. Now, after four years of continuous development, this extraordinary and unique creation is complete; it will soon take its place in the private collection of discerning patrons of the brand.

Phantom Syntopia takes its name from Iris van Herpen’s landmark 2018 collection, designed on the principles of biomimicry in which art is inspired by patterns and shapes found in nature. Like the collection, which comprises a series of highly sculptural garments brought to life through movement, Phantom Syntopia seeks to represent the elusive, ethereal beauty of fluid motion in solid materials through its ‘Weaving Water’ theme.

«For this special collaboration I was inspired by the concept of ‘Weaving Water’ and transformed the sense of being in movement into an immersive experience of fluidity inside the Phantom. I wanted this to become a state-of-the-art experience being overwhelmed by the forces of nature. The powerful movement of the Phantom is woven into the shifting three-dimensional waves inside the car to embody the ingenuity of nature.

When I met the Bespoke Collective, I discovered that the world of Rolls-Royce is very similar to Haute Couture. Every garment I create is a one-off, tailor-made to my clients’ individual measurements, just like every Rolls-Royce. My clients come to our atelier in Amsterdam for fittings, just as Rolls-Royce clients are invited to Goodwood throughout the design and craft process. On many levels, this collaboration was a natural symbiosis.»
Iris van Herpen

EXTERIOR COACHWORK: IRIDESCENT MAGNETISM
To create the stunning, shimmering exterior, the Rolls-Royce Bespoke Collective developed a one-off Liquid Noir paint. Iridescent in sunlight, it reveals Purple, Blue, Magenta and Gold undertones when viewed at different angles. To achieve this effect, the marque’s darkest solid-black paint is overlaid with a finish incorporating a mirror-like pigment, selected for its colour-shifting properties. To add a subtle, elegant shimmer, the team developed a brand-new technique for applying pigment to the clearcoat – a process that took several months, including over 3,000 hours of testing and validation alone.
On closer inspection, the motor car’s bonnet is seen to feature a subtle rendering of the Weaving Water motif that appears throughout the interior, produced by carefully redistributing the pigment during the finishing process.

INTERIOR SUITE: THREE-DIMENSIONAL ART
Phantom Syntopia’s interior suite incorporates magnificent features which were co-created in a creative and technical meeting of minds by the Rolls-Royce Bespoke Collective and Iris van Herpen. Some interior elements were handcrafted at the Home of Rolls-Royce by the company’s leading craftspeople working alongside members of Iris van Herpen’s team, while others were created in Iris van Herpen’s Amsterdam atelier, alongside her Haute Couture garments.

On opening the magnificent coach doors, the eye is immediately drawn to the Weaving Water Starlight Headliner, the most technically challenging version of this signature Rolls-Royce feature ever produced. It was crafted using a single sheet of flawless leather, selected from over 1,000 hides. Precise symmetrical cuts reveal a silver ‘liquid metal’ texture made from woven nylon fabric underneath, used in Iris van Herpen’s ‘Embossed Sounds’ collection, giving the Headliner a three-dimensional appearance. It is finished with 162 delicate petals made of glass organza, applied by members of Iris van Herpen’s Couture team who travelled to Goodwood to undertake the work – a process that took nearly 300 hours. In addition, 187 of the 995 sparkling fiberoptic ‘stars’ were individually placed by hand alongside the artwork; illuminating sequentially, starting from the rear and moving to the front, they create a feeling of movement. In total, the entire Headliner alone involved almost 700 collective hours of work.

The ‘Weaving Water’ theme continues throughout the unique artwork in the Gallery, which runs the width of the Phantom’s fascia. Combining traditional Haute Couture techniques and innovative visual forms, this highly expressive work includes a further 85 petals, which were also attached by hand by Iris van Herpen’s team working at Goodwood, representing almost 60 hours’ painstaking work.

The design to be found on the picnic tables and the passenger panel just below the Gallery mirrors the Weaving Water artwork on the bonnet. The motif was achieved by combining multiple coats of paint and lacquer containing different quantities of glass particles. First, the surfaces were covered with a black paint mixed with 0.9% glass particles. Then the artisans applied the Weaving Water motif with a clear coat mixed with 1.4% of shimmer – an extraordinarily complex process that took over three weeks to complete. Before commencing the work, the Exterior Surface Centre team had spent four months perfecting the formula, running nine trials before identifying the ideal proportion of glass particles: across the entire car, precisely one tablespoon has been used.

NEXT CHAPTER IN TEXTILE EXPLORATION
Phantom Syntopia continues the Bespoke Collective’s exploration of textiles. In homage to Rolls-Royce’s heritage, this unique motor car recalls an era where a driver’s seat was trimmed in hardwearing leather and the rear compartment in luxurious, inviting fabrics. The front seats of Phantom Syntopia are finished in Magic Grey leather, distinguished by its lustrous finish. The rear seats are upholstered with a specially created silk-blend fabric, featuring a distinctive pattern which recalls the patterns cast by light reflecting on water at night.
The seats are quilted with a Weaving Water motif, inspired by a tufting technique often employed in fine furniture-making in which embroidery is applied to the reverse side of the textile. This creates a three-dimensional depth while achieving a smooth, seamless, uninterrupted surface.

AN IMMERSIVE EXPERIENCE: STIMULATING ALL SENSES
In keeping with the highly innovative approach taken with Phantom Syntopia, it is the first Rolls-Royce motor car to incorporate a Bespoke scent, creating a truly immersive expression of luxury. It was developed by an expert perfumer – now affectionately known as ‘the Nose of the Bespoke Collective’ – in close collaboration with the clients. Designed to create a lasting memory, the fragrance is subtle and perfectly complements other aromas arising from the materials used in the car.

The Bespoke fragrance expert tested numerous combinations before settling on the perfect blend. The core scent is cedarwood and as part of this project’s constant quest for the ultimate in personalisation, the cedarwood used was carefully sourced specially from the clients’ home region. The scent’s base combines powdery notes of Iris, obtained using a fluid extraction technology, with added hints of leather, finally blended with rose from Patagonia and a mild lemon.
The specially-developed scent-releasing mechanism is housed within the headrests. This patented technology, which incorporates innovative materials originally used in the field of medicine, ensures the fragrance is released in suitably delicate doses for a long-lasting, sophisticated sensory experience. The development process took more than two years, including rigorous testing in both very hot and very cold temperatures, to ensure the scent maintains its distinctive profile in all conditions.

PINNACLE LUXURY MEETS HAUTE COUTURE
For a truly Haute Couture experience, Iris van Herpen will design a one-off garment especially for the clients of this transformative commission. The sculptural design of the dress echoes the Weaving Water theme explored in Phantom Syntopia’s Starlight Headliner, featuring an elegant application of the ‘liquid metal’ fabric and the glass organza petals, laser-cut and hand-stitched in a pattern resembling undulating waves. This exquisite garment, reflective of Iris van Herpen’s newly developed Haute Couture techniques, is expected to take around six months of work, including pattern development, crafting and applying the petals, embroidery, fitting and tailoring.

Phantom Syntopia will take its place in the clients’ private collection in May. As a true one-of-one commission, Rolls-Royce has undertaken that it will never be replicated.

LoL, Sandra

Photos: © Rolls-Royce and © Iris van Herpen
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First presented during the Valentino Code Temporal S/S 2021 Haute Couture fashion show in Rome, Creative Director Pierpaolo Piccioli showed some insane platform boots and heels. Reminiscent of stripper boots, they represent a conscious exaggeration and a proud demonstration of personality, inspired by Lady Gaga. Considering no one else has really presented big platform soles lately, which I totally miss, those Valentino shoes immediately caught me eye during Paris Fashion Week.

Valentino Code Temporal S/S 2021 Haute Couture

Bright, bold, and as ultra high, those incredibly shiny gold boots are really «couture». The leather is shaped in a ruffled slouchy way that stays perfectly in shape. The boots are surprisingly light and easy to balance on. Along this key style, there is also an ankle-strap platform pump, and a golden wedge.

Love at first sight in the Paris Avenue Montaigne store.

The special packaging

Presented with a special packaging dedicated to Valentino Code Temporal collection, these bold shoes are only available in selected Valentino boutiques worldwide: Tokyo Ginza, Beijing Shin Kong Place, Shanghai Plaza, Madison Avenue New York, The Dubai Mall, Milan Montenapoleone, Rome Piazza di Spagna, Paris Avenue Montaigne and Monte Carlo. A huge thank you to the Zurich store for getting them for me!

The new Valentino Garavani platform shoes and boots set a new step for couture and found their place in Sandra’s Closet.

For those, who like platforms but don’t want to go that high, Valentino has also a more modest version available. CLICK HERE TO SHOP.
.

LoL, Sandra

Photos: © Valentino, © Sandra Bauknecht, David Biedert Photography
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise.

Beyoncé wore Mary Katrantzou for the single «Water» featuring Pharrell Williams and Salatiel, in her latest visual album «Black is King», styled by Zerina Akers.

The piece was inspired by electric lightning storms and the painterly colours in the sky after rain. A mix between sunrise and sunset.

The dress is a tech-organza base, selected for its high iridescence and intense shine, printed with a multicolour «rave cloud» which has merging colours of fuchsia, peach, citrus, ocean blue and sea green.

Hundreds of laser-cut oyster ruffles are then tulle bound by hand in correlating colours, amounting to around 500 meters. These are hand tucked into place to create the perfect form of sculpted ruffles. The ruffles are print placed to make the dress bleed from colour to colour across the body.

The embroidery consists of stacked micro sequins and crystal, built up in a 3D style which give them an ombré effect. This is accompanied by thousands of singular ostrich feathers, which are hand dyed in ombré colours, grading to up to three colours in each strand. They are then matched to correlate with the perfect place in the print, to mimic the soft drift of clouds after a storm. The embroidery was partly done in India, with finishing touches by our London atelier, amounting to 7 days of embroidery work on the dress.

Beyonce wore the finale look from the F/W 2019 collection, draped around her shoulders. Also looks 34 & 35 were featured in the same video.

For bespoke enquiries please contact .

LoL, Sandra

Photos: © Mary Katrantzou

In January 2020, all eyes were on Jean Paul Gaultier’s Haute Couture S/S 2020 show in Paris because it was his 50th anniversary show and, as he announced on Twitter, his last. Today, I received the press release that the French Maison will continue with a new concept. Each season, Jean Paul Gaultier will invite a designer to interpret the codes of the House and give the vision of Haute Couture.

Chitose Abe from SACAI will be the first designer to participate in the project and she will present the next Haute Couture collection in July 2020.

Jean Paul Gaultier about this new concept:

« The idea of different designers interpreting one Haute Couture brand came to me in the nineties for a Parisian Haute Couture House who found itself without a designer. I am pleased that this concept will become reality now with Chitose Abe of Sacai as the first guest designer. I admire her work, we have many things in common creatively and share a similar vision of fashion. I am glad to give her the complete freedom. »

Chitose Abe thought on this project:

« I have a long held admiration for Jean Paul’s unique vision of subversive femininity and his originality, both of which I’ve strived towards in my work since the beginning. It’s a true honor to be given the opportunity to be custodian of his house as the first designer of this project. »

With Jean Paul Gaultier at his Haute Couture S/S 2016 after party in Paris.

An interesting concept – I am curious to see the next show. If you have ever had the chance to experience a Jean Paul Gaultier show live, you will know what I am talking about. There are not many runway presentations that leave you that energized and happy – there is always a joyful mood, great music and amazing designs.

LoL, Sandra

Photos: © Jean Paul Gaultier and © Sandra Bauknecht

Another festive décor not to miss in London is to be found at THE LANESBOROUGH, that takes on a touch of couture with the unveiling of a Ralph & Russo inspired Christmas Tree installation, as imagined by creative genius, Tony Marklew.

Inspired by the heritage of the British luxury house and the intricate detailing portrayed in Ralph & Russo’s most recent F/W 2019 couture collection, the artistic installation brings to life the magic of couture, enchanting onlookers with a canopy of chandelier-like crystals and ornate leaf embellishment, adorned with silk petal flowers in bold hues of raspberry and ruby red.

Tamara Ralph

Established in London in 2010 by duo Tamara Ralph and Michael Russo, Ralph & Russo is an international luxury brand revered for producing designs that are contemporary, timelessly elegant and sought after worldwide. In 2014, Ralph & Russo became the first British guest member in almost a century to be invited by the Chambre Syndicale de la Haute Couture to show their first runway collection as part of the S/S 2014 couture season.

Ralph & Russo Couture F/W 2019

Ralph & Russo is loved all over the world for its bold and unapologetically glamorous silhouettes, and famously dressed Meghan Markle in her engagement portraits. Its first ready-to-wear collection launched exclusively with Net-à-Porter, and each piece is made using the same exquisite craftsmanship, modern artistry and detail as its couture pieces.

Bringing the glamour and personal touch of a truly couture Christmas to every hotel guest this festive season, of which the resident cat, Lilibet, is of no exception. To honour the hotel’s most loved resident and her first Christmas at THE LANESBOROUGH, Ralph & Russo have hand-crafted a bespoke collar bearing the crown sigil.

Lilibet arrived in June 2019 and is the latest addition in what is becoming something of a trademark among the sister Oetker Collection properties. Lilbet is a Siberian Forest Cat which means she has very fluffy fur. Siberians are fun-loving, energetic felines and hypoallergenic.
Lilibet joins Burmese cat Fa-Raon from Le Bristol Paris and Kléopatre from Brenners Park-Hotel & Spa in Baden-Baden.

The hotels have a small team of cat-loving employees, known as the Cat Committee who have kindly volunteered to look after the house cats.

LoL, Sandra

Photos: © The Lanesborough Hotel and © Ralph & Russo

Blurring the lines between art and fashion, Dutch icons Viktor Horsting and Rolf Snoeren constantly push the boundaries of conceptual design. Last season, we’ve all seen the showstopping, statement-making couture gowns walk down the runway demanding ‘no photos please’ or just simply saying ‘NO’. The S/S 2019 couture show, titled «Fashion Statements», presented those language memes in tiers of tulle and had an outstanding viral response.

Backstage with Viktor & Rolf last week in Paris

But how to top this collection? I was curious. Last week I was invited to their F/W 2019 Haute Couture show in Paris not only to see the new breathtaking défilé, called «Spiritual Glamour» but also to experience the connection between art, fashion and beauty. The mission? To make the world a better place.

When I went backstage before the show, I experienced their unmistakable artistic craftsmanship first hand, which can also be found in their iconic fragrance Flowerbomb which got a new addition to the perfume family with Flowerbomb Midnight, a mysterious, floral and sensual facet, enveloped for the first time in a sumptuous radical black bottle. Spellbinding and captivating, sparkling and intimate, this eau de parfum for women celebrates midnight, a moment of transformation where women can let their sensuality explode.

Flowerbomb Midnight is a long-lasting floral-chypre-fruity perfume, an olfactory bomb of sensuality designed around night-blooming jasmine. Also called «queen of the night,» this mysterious flower only blooms and reveals her captivating scent when the day falls. Layered with the intoxicating second-skin patchouli and musk accord, vanilla and praline, it gives Flowerbomb Midnight its tremendous depth and contrast. The powerful fruity notes of blackcurrant and pomegranate accord sparkle while bergamot adds a fresh, zesty note enhanced by spicy, aromatic pink pepper. This mouth watering new fragrance was created by four famous noses, Dominique Ropion, Domitille Michalon-Bertier, Carlos Benaïm and Fanny Bal. In Switzerland, Flowerbomb Midnight is exclusively available at MARIONNAUD.

On the runway, Viktor & Rolf showed magical dresses for the «queen of the night». The moon, the stars, the sun appeared as applications and addition to their futuristic fabrics. With the help of Claudy Jongstra, who has been developing her own textiles over decades, Viktor & Rolf created a collection that is different, almost an epiphany for the fashion savvy.

The artist has her own biodynamic dye garden in the Northern Netherlands where she produces botanical pigments to create dyes for the final artisanal touches to these extraordinary pieces. She is even raising rare Drenthe Heath sheeps, reimagines and reconstructs textile production systems, demonstrating deep respect for the interwoven narratives of materials, landscape, and making processes. A highly innovative artist, Claudy Jongstra has created new territory for wool as a contemporary artistic medium, captured and processed by the designer duo Viktor & Rolf.

The collaboration is outstanding as both partners treat couture like a laboratory and show that haute couture is not outdated yet. That it can be a leader in terms of sustainability.

Furthermore, «spiritual glamour» can be found everywhere, in a rare flower used in a scent, in a fabric that creates a gown or in an artist that wants to make the world a better place with his or her designs. The world of fashion, art and beauty are all interlinked, it is up to us how we want to transport the message ourselves. Let’s drop a bombshell and be our own muses.

Celebrity spotlight at the show: Miss Fame and Christina Aguilera, both boasting the Viktor & Rolf’s unapologetic irreverent slogans and unmistakable artistic craftsmanship from the S/S 2019 Haute Couture collection.

Enjoy more of my impressions below, especially my favorite moment at the end when I met Christina Aguilera.

LoL, Sandra

I got a little shaky… so excited to meet the singer in person!

Everything before a fashion show is last minute.

Personally speaking seeing the craftsmanship and outstanding fabrics so close…

… was a true pleasure and makes you appreciate the work of couture even so much more.

I love watching the make-up artists doing their job.

The eye make-up was outstanding.

Belgian make-up artist Peter Philips, who is currently the creative and image director of Christian Dior makeup, doing the final check-up of the model’s look.

Lots of L’ORÉAL hair spray and fake hair needed for the volume.

Photos: © Sandra Bauknecht 

Yesterday, Dolce & Gabbana showed their S/S 2017 haute couture «Alta Moda and Alta Sartoria» show at the Tokyo National Museum in Japan. It is cherry blossom, so-called sakura season at the moment and who has ever been during that time to Tokyo knows how beautiful it is to see this national icon of the Asian country. I have been there many years ago and love to indulge in those memories of pink petals plastering the streets.

Of course, there was an in-bloom cherry tree on the runway when the designer duo presented their almost 100 looks for both, men and women, to an audience of mostly local clients and other guests from all over the world.

Contrary to other shows that Dolce & Gabbana hosted, the models came mostly from Japan, a way of showing respect, which is the backbone of this Asian culture. After the show, the designers shook hands with their guests, another important gesture as for the Japanese, every person has a role to play towards the collective. It is always about «we», never about «me».

The collection was of course very much inspired by Japan, beautifully embellished and embroidered, something Dolce & Gabbana stands for. There were headpieces designed as branches of a cherry blossom tree or hand-painted floral motifs on lace. Just beautiful – have a look at the video below where you can get a great impression of this Italian artwork in Japan!

LoL, Sandra

Photos: Courtesy of Dolce & Gabbana, © Luke Leitch / Vogue

evian® x Christian Lacroix Limited Edition bottles in 2016

10 years ago, some people might have asked what were they drinking? In 2007, the disruptive vision shared by the two brands brought together the purity of water with the creativity of fashion paving the way to a saga of collaborations with the greatest designers and launching the fashionista drink of choice.

evian® x Christian Lacroix Limited Edition bottles in 2007

To celebrate this success story and to mark the 10th anniversary of the project, the House of Christian Lacroix pays tribute to evian®’s live young spirit, by reinventing the Paseo pattern. Born to Haute Couture, the delicate embroidery design was used for the first time outside the Christian Lacroix fashion collections on the initial evian® Limited Edition bottle in 2007. It has since become an iconic design of the House. This new colorful Paseo Limited Edition version is the pure expression of today’s Christian Lacroix creative universe: flamboyant, Parisian, and with an ever young spirit. It comes in a set of two bottles: a pink and a blue one.

“The evian® x Lacroix collaboration is just like a wonderful dream come true and we had the chance to collaborate twice… which makes me a very lucky designer!” Sacha Walckhoff.

The famous red bride at Christian Lacroix’s F/W 2002 Couture show.

Sacha Walckhoff, Creative Director for the House of Christian Lacroix, who succeeded the founder following the shuttering of the couture house and its transformation into a licensed business, revisited the iconic Paseo pattern that Lacroix used for the red wedding dress that capped his F/W 2002 couture show, and famously worn by Madonna in a Steven Klein shoot for W Magazine in 2003. Its skirt was based on a bullfighting cape with a pattern mixing swirling garlands, flowers and curlicues.

2003 – Madonna photographed in Christian Lacroix by Steven Klein.

The evian® x Christian Lacroix bottles will be available in 75cl glass bottles and rolled-out in Prestige PET, and for the first time in facial spray. Available worldwide in selected hotels, cafes, restaurants and retailers from September 2016.

Drinking water has never been so stylish…

LoL, Sandra

Photos: Courtesy of evian®, © Christian Lacroix, © Antoine Tempe and © Steven Klein

For more than 15 years, the name Lola Paltinger has been standing for an unmistakeable creative signature which combines Alpine tradition with pleasurable eccentricity. At the heart of her company is her bespoke dirndl atelier in Munich’s city centre. Lola is like my humble self a former ESMOD student. Later she trained with Vivienne Westwood and has been running her enterprise with her mother Brigitte since 1999. Her timelessly beautiful couture dirndls delight every woman’s heart in search of an outfit for the Munich Beer Festival, a wedding or another, very personal crowning event. All the models are produced and finished off in the ateliers in Germany.

Designer Lola Paltinger on the streets of Munich in one of her designs.

Lola Paltinger Couture

Let your dream of a timelessly glamorous couture dirndl come true in Lola Paltinger’s atelier! Only materials of her own creation are used for the unique dirndls and Bavarian style ensembles: luxurious, sometimes hand-painted materials, combined with magnificent embroidery, buttons and charivaris. All the models are produced in the ateliers in Germany, on request even within 24 hours.

Here are some of my favorite couture models:

Couture 1015
Piqué dirndl in soft blue with printed Alpine motifs, decorative borders, floral bouquet, embroidered cotton blouse and glitter apron: € 2,800

Couture 1016
“MARIE” red-check dirndl with hand-embroidered, ornate rhinestone border, lace and ruffle trims, taffeta underskirt, lace blouse and hand-embroidered, bordered velvet apron: € 3,200

Couture 1019
Jacquard dirndl in denim blue with hand-embroidery at the front, decorative borders and taffeta underskirt, high-necked lace blouse and glitter apron: € 3,100

Couture 2020
Dirndl ensemble consisting of bodice and skirt “MARIE” bodice with hand-embroidered insets: € 1,550, Flared skirt with decorative border: € 1,200
Combined with: High-necked lace blouse: € 550, Patch apron with decorative borders: € 550

Couture 2021
Jacquard dirndl with lace borders, floral brooch and patch apron: € 3,000

Couture 2025
“MARIE” jacquard dirndl with hand-embroidered insets: € 3,100
Combined with: “PEGGY” blouse in pink, Patch apron

Lola Paltinger with one of her famous clients Kim Kardashian.

Happy Heidi

This limited-edition less expensive collection of prêt-à-porter dirndls, which appears annually right in time for the Munich Beer Festival, is bright and cheerful, and highly fashionable. The enchanting combinations with apron and charivari or embroidery are made from specially created materials and are rich in elaborate and lovingly placed details. They come in several attractive colours and are complemented by blouses which are available separately.

Happy Heidi 5137
HAPPY HEIDI printed linen dirndl with brooch, taffeta underskirt and taffeta apron: € 699
Combined with: Cotton blouse: € 139

Happy Heidi 5139
HAPPY HEIDI “UNGARN”  jacquard dirndl in bordeaux with brooch, taffeta underskirt and taffeta apron: € 699
Combined with: Cotton blouse: € 139

Happy Heidi 6145
HAPPY HEIDI cotton dirndl with embroidered inset and organza apron: € 699
Combined with: “SALZBURG” lace blouse: € 159

LoL, Sandra

Photos: Courtesy of Lola Paltinger