Sandra‘s Closet

From a coffee bean, Cartier has created a solar collection of absolute elegance. Yellow gold creations that combine the glamour of the 1950s French Riviera with the radiant beauty of Grace Kelly. Inspiration drawn from the heart of the Maison’s stylistic vocabulary, based on two cherished elements at Cartier: flora crafted in yellow gold and the ordinary made precious.

The creations in the Grain de Café collection—rings, pendants, earrings and brooches—enhance the skin like summer heat. Arranged in clusters, the coffee beans stir with the slightest movement in a precious rustle. Their sensual curves, studded with fiery diamonds set in white gold, radiate infinite delicacy.

In a luscious interpretation, Cartier studs a ring and a bracelet with rubellite beads. Half-flower, half-fruit, these scattered berries studded with a gold nail or a diamond appear in an assortment of beans, engraved gold hemispheres and diamonds set in platinum. Even more radical, Cartier pulls out all the stops with a necklace made up of two rows of gold beads topped with coffee beans and gold-studded rubellites.

This year, the Maison is also reissuing a necklace originally dating from 1955, in homage to the creative history of Grain de Café and the world of Jeanne Toussaint.

«Grain de Café creates a new preciousness by playing with light, finishes and volumes… The result is a versatile collection with added spirit. A symbol of the creative freedom of the Maison, Grain de Café transcends a literal translation of nature and results in a multi- sensory design.»
Marie-Laure Cérède, Creative Director of Jewellery and Watchmaking.

Playing with the pendants, multiplying radiance and shimmer: for the jewellers, the objective was to combine mobility and sensuality. The movement of endlessly sparkling clusters. The sensuality of materials that are an invitation to touch. The jewellers have created hollow grains composed of two parts, assembled to avoid impact between them: one part is curved and the other is arched, while the surface is smooth or gadrooned. All the elements are polished one by one thanks to a steel brush that enhances the finish. 30 craftsmen participated in the creation of this collection and more than 60 prototypes were required.

The «coffee bean» motif, which first appeared at Cartier in 1938, was a huge hit in the 1950s and 1960s. Two extraordinary women contributed to its fame: Jeanne Toussaint and Grace Kelly.

Jeanne Toussaint, Creative Director from 1933, was a woman of style. Her intuition was unfailing, and she saw in this motif the wealth of a universe to be explored. Most often made of yellow gold, or sculpted from a noble material such as coral, the first coffee beans were sometimes studded with diamonds or coloured stones.

Grace Kelly, the actress turned Princess with a truly charismatic aura, could not resist this inspiration. It was for her wedding to Prince Rainier III of Monaco that she received a Grain de Café set, which she embraced with the same ease as other Cartier creations, from the most intimate to the most prestigious. She remains the most alluring expression of this creation that links Monaco, the French Riviera and the chic opulence of the 1950s.

To pay tribute to Grace Kelly, the iconic Hollywood star, Cartier turned to American director Alex Prager whose sensitivity resonates with the codes of the collection. Thanks to her work with light, she was able to bring a decisively contemporary tone to the glamorous spirit of the 1950s.

The result? A 45-second trailer in which we follow an elegant and mysterious woman through a sequence of shots. It is the same woman we find at the end of a screening in a cinema, suspended in time where past and present become one.

To play the part of this woman, the Maison called upon the American actress Elle Fanning, whose starring role in Sofia Coppola’s Somewhere earned a Critics’ Choice nomination and launched a career that continues to span genres through both independent and blockbuster productions. A Global Ambassador of the Maison, she is now the face of the Grain de Café collection.

LoL, Sandra

Photos: © Cartier
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Gucci presents new Horsebit jewelry and watches, as part of the 70th anniversary celebrations of this iconic emblem. Bold designs feature classic Horsebit motifs intertwined with minimalist links to create striking geometric chains with seamlessly integrated closures.

First conceived by Aldo Gucci as a loafer embellishment in 1953, the Horsebit reflects the House’s historical links with the equestrian world. A stylized version in miniature of the double ring and bar metal clamp in a horse’s bridle, it has been a signature symbol for Gucci ever since. As a signifier of the community embodied by the House, it has been interpreted over seven decades in hardware and motifs across accessories, jewelry and ready-to-wear.

In this occasion, the House presents several new jewelry pieces, entirely crafted in yellow gold, including a ring, a necklace and two bracelets – one single row and one double row. The contemporary chain design alternates the classical Horsebit signature with a more minimalist pattern, creating a captivating contrast.

A necklace and two bracelets in single and three-row designs, with diamond baguettes and vivid green enamel embellishment, complete the collection. Two new watches also highlight the iconic Horsebit. One has a delicate double row chain with a multifaceted lozenge case; the other has a bolder, three-row chain. Both designs feature a yellow gold case, bracelet and a golden-colored brushed dial.

LoL, Sandra

Photos: © Gucci
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In 2020, tweed entered the world of CHANEL jewelry: a first collection of 45 exceptional pieces dedicated entirely to this fabric, reproducing its suppleness and subtleties through the skilful use of articulations. With «TWEED DE CHANEL», inspired by the richness of the tweed weaves and transforming tweed into a precious fabric, Patrice Leguéreau, Director of the CHANEL Fine Jewelry Creation Studio, opened up a new chapter in CHANEL High Jewelry.

In 2023, Patrice Leguéreau returns to the magic of tweed for a second time, with the audacious creation of 64 new High Jewelry pieces. «For this new High Jewelry collection dedicated to Tweed, I wanted to go further in the interpretation by creating a veritable fabric of precious stones that is light and supple.»

Centerpiece of the collection is the «Tweed Royal» necklace. The yellow gold weave of the plastron necklace, intricately crafted and trimmed with a chain, is set with diamonds and a magnificent ensemble of 37 rubies. The lion’s head at its centre can be worn as a brooch or as a necklace on the plastron, while the magnificent 10.17 carats D FL Type IIa pear-cut diamond that adorns it, can be detached to be worn as a ring.

The «Tweed Royal» truly expresses the expertise, creativity and excellence of CHANEL High Jewelry. A true feast for the eyes. Below you can enjoy the making of photos to see all the amazing craftsmanship behind.

LoL, Sandra

Step 1 – Making a resin maquette to create the full shape of the «TWEED ROYAL« necklace.

Step 2 – Positioning of the pavé-set elements on the design for the «TWEED ROYAL» necklace, followed by polishing.

Step 3 – Checking and adjusting the articulations with set elements and resin rubies on the design for the «TWEED ROYAL» necklace.

Step 4 – Final assembly and positioning of the center stone on the «TWEED ROYAL» necklace.

Step 5 – Dismantling and polishing of the «TWEED ROYAL» necklace.

Step 6 – Making, pinning and assembling the lion motif on the «TWEED ROYAL» necklace, transformable into a brooch or ring.

Step 7 – The finished «TWEED ROYAL» necklace.

Photos: © CHANEL #TweedDeCHANEL #CHANELHighJewelry
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This week, I was invited by BVLGARI to celebrate the history and evolution of the Maison’s icon, Serpenti at Zurich’s Mascotte Club. Continually changing its skin through the creativity and vision of the master Roman jeweler, Serpenti has unfolded its transformative nature over the past 75 years. Always ready to take a hypnotic new form, the icon forever remains an emblem of eternal rebirth and bold metamorphosis.

Introduced in 1948 as jewelry-watches to be wrapped around the wrist, Serpenti creations made their debut with a supple, stylized body crafted with the iconic Tubogas technique. In the ’50s, the Bulgari serpent began to embrace a more realistic style, an evolution that culminated in the ’60s when its distinct turned into a canvas for creative experimentation sporting gemstones and colored enamels. Moving from one mesmerizing form to the next, Serpenti has offered stunning interpretations of its hexagonal scale motif, various levels of preciousness and unique combinations of exquisite gems, captivating design and creative craftsmanship.

Photo top right: Kristina Bazan and Photo bottom right: Christa Rigozzi

From left to right: Alex Lambrechts, Nicole Boghossian, Zoë Pastelle, my humble self, Kevin Lütolf and Jaz Brunner.

In the last 75 years, women have affirmed the right to be independent, cultivate their talents, pursue their dreams and live a life that aligns with their desires. From the red carpet to the office, Serpenti has been their faithful ally, evolving side by side with confident women proud to reveal their magnetic charm.

With Monica Brannetti who had flown in for the night from Rome.

We started the evening with a very interesting conversation between Christa Rigozzi, who lead through the evening, and Monica Brannetti from the Bvlgari Heritage Team about the amazing stories that have been told in the past decades through Serpenti jewelry and watch pieces.

The amazing Dora Live Band performed on stage and made sure that nobody stood still in the room. The final culmination of the night was the big birthday cake, followed by the sounds of DJ Tanja La Croix.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography, Bvlgari, Jaz Brunner
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First unveiled in June last year, Louis Vuitton’s Spirit high jewelry collection continues its odyssey into the next and final chapter, featuring 30 unique pieces that pulse with a distinctive graphic energy and the iconic codes of the Maison, embodying the emanating strength of the Louis Vuitton woman.

Spirit is the fourth high jewelry collection designed by Francesca Amfitheatrof, the Maison’s Artistic Director for Watches and Jewellery. Francesca Amfitheatrof has always believed that jewellery and its wearer are inextricably linked. «I don’t think anything else in the world has the power to hold the spirit of the person so much as jewellery does,» she said.

Destiny Bracelet and Ring

That ethos continues in Spirit Chapter II, where masterfully executed creations channel the singular design codes of the Maison – and which, like Chapter I, are set across four universes that reflect the values of the house: Destiny, Liberty, Fantasy and Radiance.

Destiny Necklace

Destiny is an ode to the ruby, in the most luminous, perfect red hue, with stones that seem to emit their own special power. The Destiny universe is anchored in the geometric energy and symbol of the Louis Vuitton V, which channels the dynamism of the Maison, propelling its legacy and vision into the future.

Liberty Medaillon and Ring

Freedom to explore and discover. To travel and to open up to new horizons and to venture into unknown territories both physically and metaphorically. The Liberty theme embodies the desire for freedom that has always guided Louis Vuitton like a light.

Fantasy Necklace and Earrings

The world of Fantasy embodies the imagination of Louis Vuitton and evokes the pioneering spirit of the founder of the House; the creative genius and the creative genius and vital force of a man who never stopped innovating, dreaming and pushing back the boundaries.

Radiance Necklace

Since her very first Louis Vuitton Haute Joaillerie collection, Francesca Amfitheatrof has imagined her creations as armor, a second skin that protects a woman’s identity and soul as she courageously moves forward in her journey. The new Radiance necklace exudes a bold energy highlighted by mirror yellow gold triangles that set the stage for a geometry of pyramids and diamond-paved Vs.

My personal favorite: The Liberty Trunk Pendant

Made exclusively in the House’s Parisian workshops, Louis Vuitton’s Spirit Chapter II Haute Joaillerie collection is the latest in a series of striking pieces that are both singular and unique.

LoL, Sandra

Photos: © Louis Vuitton – Laziz Hamani /Solve Sundsbo
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Hortus Deliciarum — meaning «Garden of Delights» in Latin — blends Gucci’s rich heritage in Italian craftsmanship and its ever-distinctive creativity in one-of-a-kind masterpieces distinguished by unique artistry, exceptional quality, and acute attention to detail. The current chapter, the third since the collection’s launch in 2019, draws inspiration from the world of travel and the memorable moments that every journey can bring.

The new additions to the Hortus Deliciarum collection include necklaces, bracelets, earrings, and multi-finger rings, divided into different themes. The designs explore tantalizing facets of the natural and animal kingdom, placing jewelry artistry center stage. These pieces evoke distant, exotic, and magical worlds, exciting the imagination of Gucci’s signature painterly approach to high jewelry craftsmanship. A selection of pieces features fresh interpretations of Gucci’s distinctive Lion Head and Tiger Head motifs, symbolizing strength, courage, and passion. Flawless, fancy cut vivid gemstones, from aquamarines to yellow sapphires, add vibrant touches to these dynamic designs.

The collection includes several new creations showcasing a captivating combination of multicolored stones that are inspired by the concept of prismatic beauty and specifically designed to catch the light. These include a brilliant multi-finger ring – the result of 100 hours of meticulous production – crafted in yellow gold with a beautiful 38.8 carat green tourmaline centerpiece surrounded by diamonds. An equally stunning yellow gold cuff earring offers an elegant explosion of garnets, yellow beryl, rubellite, and diamonds. Here, Gucci blends the modernity of a cuff style with the exquisite beauty of warm-toned gems and dainty, flowing lines.

Other stunning pieces are distinguished by cascades of dancing diamonds, inspired by the beauty of shooting stars and the sparkling torrents of a waterfall. A highlight of this selection is a parure comprising a dazzling white gold necklace and matching drop earrings. Involving 300 hours of production, the necklace features diamond-embellished starbursts trimmed with lady-like diamond bows, while the earrings reveal diamond- encrusted bows and chandelier-like crystal droplets around two teardrop cut diamonds with a total of 16.7 carats.

A yellow gold bracelet, meanwhile, showcases a diamond-embellished chevron pattern and an oval-shaped 16 carat rubellite tourmaline, offering a striking geometric interplay of straight lines and smooth curves. This exceptional creation takes 200 hours to produce.

Intricately crafted and full of surprising details, an ornate diamond parure pays homage to the majestic beauty of natural landscapes. A diamond-encrusted geometric chain necklace is teamed with a stunning round-cut mandarin garnet pendant embellished with dainty emerald leaves. This can be teamed with a matching pair of jacket earrings, also in fresh and surprising shades of green and mandarin, offering a dazzling 40.5 carats of jewels for the necklace and 15.3 carats for the earrings.

To complete the collection, new diamond-embellished solitaire rings shine in an array of hues that resemble the changing colors of the sky. A sculpted, white gold design mesmerizes with a hexagonal 14.7 carat tanzanite centerpiece, while three other white gold rings each present a heart-shaped gemstone in a vivid color: a 9 carat blue tourmaline, a 12.6 carat peach tourmaline, or an 11.5 carat pink tourmaline.

The Hortus Deliciarum High Jewelry collection, launched in Paris in 2019, was followed by a second chapter presented on Italy’s Lake Maggiore in 2021 while the third and current collection was initially unveiled in Rome in 2022.

LoL, Sandra

Photos: © Gucci
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The Cartier brothers, who travelled extensively, observed, and drew inspiration from the beauty of the world, preserving it, and above all, enriching it. The Maison’s latest high jewelry collection BEAUTÉS DU MONDE continues this tradition. From the perfect arrangement of a bird’s feathers to the abstraction of a traditional Japanese motif, Cartier never ceases to marvel at all the beauty in the world and convey it through its sumptuous and spirited High Jewellery creations.

THE OCELLE NECKLACE
OF ALL BIRDS, THE PEACOCK IS POSSIBLY THE MOST FASCINATING

It was through his passion for the Islamic arts that Louis Cartier perceived the power of blue and green. For him, the discovery of this chromatic combination was so powerful that it became part of the Maison’s palette under the name of «peacock motif.» This combination quickly became a Cartier signature. The Ocelle necklace from the Beautés du Monde collection pays tribute to the bird with two opals weighing 16.59 and 6.19 carats respectively, and a 21.18-carat Zambian emerald. In addition to the colours, the necklace incorporates the form of the eyespots that characterise the peacock’s plumage. These are miniaturized, multiplied and highlighted by an onyxtrim. Partly overlapping each other and mobile, these small feathers bring great suppleness. The fluidity of the ensemble attests to the excellence of the Cartier workshops, as does the custom cuts of the opals and emerald, which are mounted on their culasse to create an invisible setting. The upper opal detaches to be worn as a brooch.

THE SPLENDENS NECKLACE
FAITHFULLY REPLICATING THE UNDULATING FINS OF A FIGHTING FISH

Was never the intent of this necklace, which introduces a new animal into the Cartier bestiary; rather, it was the desire to abstractly represent the delicate nature of their floating fins while creating a High Jewellery necklace. A creative stroke of handiwork made with a cascade of spinel beads selected for their harmony of colours and increasing size. Each bead is held within a type of invisible cap by a tiny nail whose surface plays with the light like water would over the scales of a fish. This exceedingly supple bib necklace is lined with nine oval and pear spinels totalling 27.79 carats. Remarkable for its chromatic uniformity, the ensemble is studded with square- and lozenge-shaped diamonds that electrify this fluid necklace, which seems to flow along the body’s curves.

THE CAMAIL NECKLACE
CARTIER CAN SEE BOTH LIFE AND MOVEMENT IN NATURE’S PERFECTION

A bird’s plumage thus becomes the abstract motif of a choker. Inspiration came to the artisans as they gazed in wonder upon the 42.44-carat ensemble of five Zambian emeralds, remarkable in their pear-shaped beauty. Each gem is highlighted by a curve of square diamonds trimmed with custom-cut onyx. The design thus creates a strong sensation of movement. Behind this rhythmic composition lie two feats of jewellery-making prowess: first, the necklace’s suppleness and second, the prong-less settings of the emeralds which seem to rest on top of the diamonds. In reality, each stone is precisely fitted onto a crescent-moon paved with diamonds that is integrated into the border. This creation renews and explores the chromatic harmony between white, green, and black that appeared around 1910 and has since become an emblematic combination of the Maison. The black of onyx, lacquer and enamel provides contrast, suggests volume and depth, and highlights geometric motifs. This combination heralded the Art Deco movement, of which Cartier was a pioneer.

THE OBI NECKLACE
FOR CARTIER, THE BEAUTY OF THE WORLD IS ALSO THE BEAUTY OF TRADITIONS

Drawing inspiration small calibrated rubies. Thanks to from Japanese fabrics the very delicate custom-cut onyx decorated with inserts,the angles are marked, the rising sun motif, the Obi necklace pays tribute to the culture of Japan, an inspiring land cherished by the Maison for more than a century. A rare ensemble composed of eight cabochon-cut emeralds, including a 12.53-carat specimen from Zambia, provides the starting point. The gemstones become the heart of the radiant motifs, linked together. The roundness of the cabochons contrasts with the motif ’s geometry, which is punctuated by volumes accentuated, and the entire necklace gains depth. Green, red, and black: a signature chromatic harmony for Cartier, which since the beginning of the 20th century has dared to create unprecedented combinations. The colour black represents a new modern entry into the Cartier universe, and is now emblematic of its style. In keeping with Cartier’s tradition of transformable pieces, the pendant motif detaches to be worn as a brooch.

Below you can enjoy some making of photos that show the amazing craftsmanship behind those pieces.

LoL, Sandra

Photos: © CARTIER
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When Gabrielle Chanel adopted tweed as her own, it was to gift its comfort to elegant, sporty and resolutely modern women. When Patrice Leguéreau, Director of the CHANEL Fine Jewelry Creation Studio, took his inspiration from it in 2020, it was to create the first High Jewelry collection dedicated to tweed, with as its central masterpiece the « Tweed Couture » necklace.

Positioning the elements of the strands of the « TWEED COUTURE » Patrimony necklace on the sheet before setting.

Re-created today, this technical and aesthetic tour de force now forms part of the CHANEL High Jewelry Patrimoine. And it assures tweed a definitive place among the major inspirations of the CHANEL Fine Jewelry Creation Studio.

Assembly of the « TWEED COUTURE » Patrimony necklace.

Taming tweed. Transforming its softness, reinterpreting its weave and the irregularities that deepen its fleecy qualities, and mastering its suppleness in gold, pearls and gemtones. This is the dream that is realized in the « Tweed Couture » necklace. Unfolding in a host of radiating lines of varying lengths, it evokes a dense yet astonishingly light weave, created through a number of innovative processes.

Threading the chain that creates the horizontal weave of the tweed through the strands. First mounting of the chain before dismantling it for setting of the « TWEED COUTURE » Patrimony necklace.

The first of these is the articulation of rose gold and platinum threads to create minuscule hinges, rings and joints that infuse the whole structure of the necklace with suppleness. They are complemented by settings of equal lightness, in which each stone appears to be freed from claws or beads, to be fully revealed in the light.

Assembly of the « TWEED COUTURE » Patrimony necklace.

Rows of infinitely delicate pink sapphires, intense and crystalline red spinels, velvet-smooth pearls and diamonds of dazzling clarity weave the warp and weft of the tweed to re-create its downy thickness. A row of pearls, meanwhile, punctuated in the center by a 10.20 carat DIF type IIa cushion-cut diamond, delicately accentuates the base of the neck. Finally, the back of every element has been polished to ensure the necklace is as light and comfortable as tweed.

Adjustments of the center stone, a cushion-cut diamond of 10,20 carats of the « TWEED COUTURE » Patrimony necklace.

In its perfect embrace of the curve of the neck and its re-creation of the tweed weave, the « Tweed Couture » necklace elevates suppleness to the level of a creative principle, as exalted by the mastery and savoir-faire of the CHANEL Fine Jewelry Atelier. In its freedom and inventiveness, it celebrates the uncompromising boldness of Mademoiselle and takes its place in the CHANEL High Jewelry Patrimoine.

«The « Tweed Couture” necklace, which combines most of the technical challenges we had to face in 2020, was the most ambitious piece in this High Jewelry collection. For example, more than 980 articulations were assembled to create the exceptional suppleness of the necklace. That’s why today, CHANEL is proud to donate this exceptional piece to the Patrimoine department as a precious testimony of our creativity and savoir-faire.» – Patrice Leguéreau

Gabrielle Chanel and the tweed jacket of her English Duke lover changed fashion for ever. The fabric was also the inspiration for Virginie Viard’s F/W 2022 collection for CHANEL.

TWEED BY CHANEL

In the 1920s, Gabrielle Chanel had a love affair with the Duke of Westminster and discovered the lifestyle of the English aristocracy.
The Duke had an indisputable influence on the designs of Mademoiselle, who notably borrowed his tweed jackets to offer reinterpretations of them in her collections.
Tweed is a thick, soft woolen fabric that takes its name from the River Tweed in the Scottish Borders. While it has been part of the CHANEL vocabulary of style since the 1920s, it entered the Maison’s world of jewelry in 2020, with an initial collection of 45 High Jewelry pieces.

Work on « TWEED COUTURE » Patrimony necklace.

The most expensive piece in the 2020 collection, the « Tweed Couture » necklace has been reproduced for the occasion in order to join the pieces in the CHANEL High Jewelry Patrimoine department, such as the « 55.55 » necklace from the “N°5” High Jewelry Collection.

LoL, Sandra

Photos: © CHANEL #TweedDeCHANEL #CHANELHighJewelry
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Tiffany & Co. celebrates the global launch of the Tiffany Lock collection. Expanding on the current offering of Lock bangles that debuted in the U.S. in September, the global launch will bring an array of rings, earrings and pendants in rose gold to the brand with multiple colorways debuting later in the year. Signaling a new expression of design and craftsmanship, the Lock collection pays homage to the jeweler’s illustrious heritage while introducing the latest innovation to the bangle: an elegant swiveling mechanism that allows the designs to open and close.

The new Tiffany Lock campaign features K-pop superstar ROSÉ from girl group BLACKPINK. The Tiffany & Co. House ambassador is styled in sparkling diamond Lock bangles and highlight the versatility of the designs and powerful style statement each design makes. ROSÉ has continued to embody the modern Tiffany & Co. woman and bring an energy that is aligned with the ethos of Tiffany Lock. ROSÉ, together with the male talent featured in the new Lock campaign, capture the inclusive spirit of Tiffany’s first all-gender jewelry collection.

Tiffany Lock is available at Tiffany & Co. stores around the world and on Tiffany.com starting on January 2, 2023.

LoL, Sandra

Photos: Courtesy of Tiffany & Co.
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Tiffany & Co. has opened its first Miami holiday pop up coinciding with this year’s Art Basel. Steps away from Tiffany & Co.’s permanent Miami Design District store, the House expands on its presence and influence in South Florida with its first café and dedicated holiday pop-up store in Miami. Inspired by Tiffany’s holiday campaign featuring archival designs from the legendary artist, Andy Warhol, who worked with the brand from 1956-1962, the pop up celebrates Warhol with its bright neon accents, intentional paint spills and acrylic framed art.

A quote from Warhol is prominently displayed above the brand’s coveted high jewelry stating: «More than anything people just want stars.»

The Tiffany Co. x Andy Warhol holiday campaign film is starring Hailey Bieber and is a tribute to the artist’s legendary Factory and love for the holidays.

The façade also creates a striking backdrop for the limited-run holiday pop-up store that features a curated assortment of House’s most coveted gold and radiant diamond jewelry from collections like Tiffany T, HardWear, Elsa Peretti, Jean Schlumberger and the jeweler’s newest icon: Tiffany Lock. As the House’s latest collection— created for all genders—Tiffany Lock is a bold visual statement about our personal bonds with others and how these bonds inform who we are.

The colorful Tiffany & Co. Café is offering a selective menu of light meals, coffee, tea and desserts; a perfect place to relax and enjoy Miami Design District’s latest jewel. No reservations required; walk-ins are welcome.

The Tiffany & Co. holiday pop up and café in the Miami Design District, located at 160 Northeast 40th Street, will remain open from now through January 31, 2023.
Open Monday through Sunday, 10:00 am – 6:00 pm
Phone Number: +1.305.428.1390

LoL, Sandra

Photos: © Tiffany & Co. @tiffanyandco @kaiandsunny
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