Sandra‘s Closet

A longstanding mainstay within the House’s collections, «The Jackie» experienced a well-chronicled rise to icon status—ever since its debut in 1961, the handbag’s perpetual presence on the arms of celebrated figures around the world crystallized its everlasting association with their signature sophistication. Jackie Kennedy was spotted in the ’70s carrying the G1244 bag by Gucci, that was the perfect accessory to match her iconic tortoiseshell glasses. Eventually, Gucci renamed the bag in her honour, dubbing the style the «Jackie» bag.

Today, Dakota Johnson finds herself at the latest inflection point of the line’s celebrated chronology in which a certain attitude encounters a certain era, marking the beginning of a new chapter through the House’s latest campaign. Johnson makes her way through everyday moments in Los Angeles with different versions of the Jackie 1961, each with its own personality, each perfectly paired to the occasion. The film and imagery, captured by Glen Luchford, pay homage to the style’s storied origins as spontaneous snapshots highlight the silhouette’s intrinsic versatility and enduring elegance, reflecting a state of co-existence that spans decades and personas.

The Jackie 1961
Following a distinguished line of reiterations, each emblematic of its time, today’s Jackie 1961 emerges to transcend the traditional with its sleek silhouette and universal attitude. The selection is presented in three different sizes—mini, small, and medium—in a wide range of colors that highlights the design’s inherent versatility. Clean lines bring the focus to the unique piston closure, as well as the quality of the material itself, whether natural grain, patent, or precious leather, or the emblematic GG Supreme canvas.

A beautiful new iteration: The Jackie 1961 crocheted raffia and leather shoulder bag

A longer, removable shoulder strap, either in leather or as a chain, enhances the Jackie 1961’s adaptable personality and practicality. Within each collection, the House introduces creative interpretations, including in woven raffia and straw as well as with velvet tapestry patterns for Cruise 2023.

My favorite this season: The Jackie 1961 small leather shoulder bag in green

The original model introduced in 1961 became expressive of the 1960s and 1970s jetsetter lifestyle for which Gucci was known and new sensibilities were brought to the signature style in 1999 and 2009, drawing from a contemporary intuition and attitude and ever- assuming new characters that defy definition – fitting seamlessly in any wardrobe.

TO SHOP THE GUCCI JACKIE 1961, CLICK HERE PLEASE.

LoL, Sandra

Photos: © Gucci and Getty Images
Art Director: Christopher Simmonds Photographer & Director: Glen Luchford
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On the 100th anniversary of the founding of Gucci, comes to Florence Gucci Garden Archetypes, an immersive multimedia experience that explores and celebrates the House’s creative vision.

An archetype is the original form from which all copies are made, never able to be recreated in itself, and every Gucci campaign speaks of a unique and unrepeatable moment – expressing the spirit of each collection, while reflecting the inclusive philosophy, liberated and audacious of Creative Director Alessandro Michele.

From Tokyo to Los Angeles, and from Northern Soul to May 68, the exhibition features mythical ark-builders, intergalactic explorers, horses, dancers, angels, and aliens all making appearances in this expansive exploration of Alessandro Michele’s kaleidoscopic vision. Gucci Garden Archetypes delves into the multifarious inspirations from the music, art, travel and pop culture spheres that resonate through Gucci’s campaigns.

«I thought it was interesting to accompany people in these first six years of adventure, inviting them to cross the imaginary, the narrative, the unexpected, the glitter. So, I created a playground of emotions that are the same as in the campaigns, because they are the most explicit journey into my imagery,» says Alessandro Michele, curator of the exhibition.

Cutting-edge technology, elaborate hand-crafting and innovative interior design create a sequence of distinct, immersive worlds, designed by Archivio Personale, the design studio that has transformed Alessandro Michele’s vision into narrative spaces reflecting and enhancing the uniqueness of his aesthetics. Accessed via what appears to be a behind-the-scenes operations center, visitors first get a split-screen live view of the exhibition they are about to enter. Inside, a network of themed spaces and corridors bring the intricate world-building of 15 Gucci campaigns to life.

Gucci Beauty’s lipstick campaign for the ‘bold, bright and beautiful’ is transformed into a multi-screen extravaganza, in which we are dazzled from multiple angles by the now-famous smile belonging to punk singer Dani Miller that has overthrown beauty conventions in the cosmetic industry.

Viewers also enter the scented floral paradise of Gucci Bloom, a hidden imaginary garden becomes a place of freedom for the three stars of the campaign – actress Dakota Johnson, feminist artist and photographer Petra Collins, and actress, model and trans woman Hari Nef. Charismatic and unconventional, this trio collectively ushered in Alessandro Michele’s new, inclusive vision of modern femininity.

In one room, a circular projection creates the immersive sensation of being out ‘on the floor’ with the exuberant dancers of Pre-Fall 2017, with its pioneering casting of an all-black ensemble, in what Michele described as a ‘homage to the elegance of black culture’, by putting it in the foreground. This campaign responded to the need for a better representation of the Black community in the fashion industry.

Pre-Fall 2018’s homage to the Parisian youth of ‘May 68’ on the 50th anniversary is evoked by a graffitied stairway that connects the two floors of the space. For S/S 2018, interdisciplinary artist Ignasi Monreal created in almost 900 hours of painstaking work, a giant hand-painted mural that covers the walls and ceiling. Elsewhere, 150,000 shimmering sequins blanket the walls in a dazzling reimagining of F/W 2016 campaign, a trip through Tokyo, while a museum-style diorama provides a guide to the creatures, aliens and explorers of the F/W 2017 campaign’s trip to outer space.

The obsessive collections of F/W 2018 campaign fill one space from floor to ceiling, as visitors are surrounded with shelves stacked with thousands of cased butterflies, as well as hundreds of cuckoo clocks, colorful wigs and sneakers. Guests can also find themselves in the 80s nightclub bathroom of the Berlin-set S/S 2016 campaign, and behind the scenes in the sprawling modernist villa that hosted the Cruise 2020 campaign ‘party of the century’.

Visitors can even enter a mirrored labyrinth to go inside a stately home like the one at the heart of the Cruise 2016 campaign, take a trip through the breathtakingly world of Cruise 2019’s epic community of ark-builders, and ride on an LA subway carriage like the one that made an appearance back in the F/W 2015 campaign, the first by Alessandro Michele.

The Gucci Garden Archetypes catalog will be the continuation of this journey into the imagination of Alessandro Michele – a true inventory of the creativity on display and a collection of images and surprises, complemented by original texts by personalities of the cultural scene including art critic Achille Bonito Oliva, philosopher Emanuele Coccia, artist and researcher Anna Franceschini, curator Antwaun Sargent, and sustainability and culture advisor Shaway Yeh.

Coherently with Gucci’s explorations of the digital realms, a virtual tour will also be available online, giving the possibility to visit the exhibition. Stepping further down this path, envisioning dialogues melding physical and virtual environments, the House has once again partnered with the global online platform Roblox – bringing in their metaverse a captivating Gucci Garden shared experience that will open its doors on May 17, for two weeks only. As visitors explore this virtual gallery freely inspired by the Gucci campaigns exhibited, the digital avatars transform into mannequins absorbing elements of the exhibition, turning themselves into unique digital artworks.

LoL, Sandra

Photos: © Gucci

Always on the first Monday in May, the Met Gala takes place and its 150-foot-long red carpet is probably one of the most-watched fashion events of the year with a gazillion of celebrities walking it in the most exquisite gowns. This year, it celebrated the opening of the Costume Institute’s exhibition, “Rei Kawakubo/Comme des Garçons: Art of the In-Between,” that will go on until September 4, 2017.

Today I would like to share my personal list of best-dressed (and worst-dressed) celebrities that made their way last night into the Metropolitan Museum of Art’s Temple of Dendur for the party of the year. The dress code called for avant-garde black tie, either you go big or go home, enjoy!

My favorite look on the red carpet: Lily-Rose Depp‘s pink Chanel look detailed with oversized silver camellias and a creeping vine.

Who did meet the dress code the best? The answer is clearly Rihanna. She showed up once again in a full-on fashion fantasy from the Comme des Garçons F/W 2016 runway that was also an architectural miracle, paired with Rihanna Loves Chopard jewelry.

As 2017 Met Gala cochair of the “Rei Kawakubo/Comme des Garçons: Art of the In-Between” exhibition, Pharell Williams wore ripped denim by Comme des Garçons Jeans with a black biker jacket, and plaid shirt. His wife, Helen Lasichanh, paired her straight-off-the-F/W-2017-runway red onesie with a blonde topknot. Not showing any arms, it looked like a fashionable straightjacket.

Cara Delevingne appeared as a sci-fi fashion fantasy wearing an embellished pantsuit from Chanel‘s Spring 2017 Couture collection. I love how she always surprises.

One of my favorites! Even that Zendaya rejected the theme of the night, she ensured all eyes were on her wearing a Dolce & Gabbana Alta Moda ball gown covered in a tropical parrot print.

Two thumbs up for bringing glamour to the red carpet. Jennifer Lopez looked gorgeous in a Valentino dress and Harry Winston jewelry.

Lily Collins showed up with a graphic dark bob and black lipstick, juxtaposing her sweet Giambattista Valli gown and her fierce Tiffany & Co. jewelry.

Plus-size model Ashley Graham channeled her inner flamenco dancer in a fabulous custom H&M dress. So pretty!

I am in love with Blake Lively’s Atelier Versace gown that featured a draped gold beading at the bodice, giving way to a plumed train in shades of blue. She had the best accessory of the night with her … her husband:-)! Couple goals I would say!

Another one arrived with her handsome husband who might have thought looking at his wife Gisele Bündchen in Stella McCartney, of Ed Sheeran singing «I’m in love with the shape of you» …

If you don’t have a husband to bring, bring the designer of your dress! That was Dakota Johnson‘s motto of the night, as she appeared in a stunning ruffled black Gucci gown with Alessandro Michele at her side.

Radiant like a sun goddess, actress Jessica Chastain in a yellow fluid Prada gown paired with some stunning Piaget jewelry.

Lupita Nyong’o also dazzled in Prada, pulling off the vibrant orange shade with Tiffany & Co. jewelry.

Gigi Hadid looked amazing in a nude, asymmetrical Cinderella-esque Tommy Hilfiger dress. I am just not so sure about the stay-up.

Showstopper! Leave it to Bella Hadid to steal the show in a glittering catsuit by none other than Alexander Wang. She looked so fabulous!

Priyanka Chopra did not disappoint in a bold Ralph Lauren trench coat gown with an unbelievably long train. Very different, something I like. I am just not a big fan of her booties in combination.

Like it or not, the award for most nude goes to none other than Kendall Jenner, whose slinky La Perla Haute Couture dress will absolutely go down in Met Gala history.

When it comes to Gwyneth Paltrow‘s understated Calvin Klein dress, I love the cut and the color, but I am not fond of the ankle length.

Katy Perry was unfortunately not among my favorites last night. The custom red tulle gown by Maison Margiela, designed by John Galliano himself, was topped with a heavy-looking wool coat covered in adornments like tulle flowers and plenty of beads. On the veil, a cryptic message across her eyes spelling “Witness” was embroidered, nevertheless it was truly one of the night’s most creative looks.

My favourite picture of the night! Have a look at Sarah Paulson dressed in a beautiful classy Prada gown. Her facial expression says everything! The American Horror Story actress seemed to have a heart attack after bumping into Madonna with the designer of her camouflage Moschino dress by her side, Jeremy Scott. Declaring war on fashion in camouflage, the famous singer was definitely not going incognito. I am not a fan of her look.

Swiss power at the Met Gala… Roger Federer in Gucci. I adore this snake embellishment on his back!

LoL, Sandra

Photos: Via Vogue.com, © Getty Images, © Rob Latour/REX/Shutterstock, © Theo Wargo/Getty Images