Louis Vuitton x Fornasetti for F/W 2021

This week, Nicolas Ghesquière sent the models mingling with ancient Roman, Greek, and Etruscan sculptures to the tunes of Daft Punk’s mega-hit «Around the World» down the Louvre’s Denon wing for his Louis Vuitton F/W 2021 show without an audience due to the current pandemic.

The press release stated: «There’s no need to venture far to create the impression of traveling. It’s enough to reach far back… to the Golden Age, or Age of Enlightenment, eras that forged the essence of our civilization. Everything is expressed so purely in Greco-Roman antiquity, the acme of an aesthetic whose primacy is uncontested. More than a journey, Louis Vuitton embarks on an odyssey with a F/W 2021 collection that incorporates fabulous drawings by Fornasetti, the delicate, fanciful engravings of an enduring era. His imaginative strokes explore, illustrate and impart style. It’s also a story of conquest — of body, heart and mind — in which humankind takes centre stage, in all its functional elegance, intellectual dominance, and earthly seduction. The astonishment of age-old principles endures and continues to guide us, such as contrapposto, a stance that first appeared in the 6th century BC and lent statues a dynamic allure, which countless couture poses have reprised since and still denotes a certain stylistic tension in fashion.»

I absolutely loved how Louis Vuitton’s Artistic Director of Women’s collections Nicolas Ghesquière has explored the unique creative world of renowned Italian artistic design atelier Fornasetti for the Maison’s F/W 2021 collection. The multifaceted collection showcases Fornasetti’s iconic hand-drawn imagery that has enchanted art and design lovers since Piero founded his atelier in 1940.

The collaboration begins with Nicolas Ghesquière’s F/W 2021 collection which integrates Fornasetti’s distinct visual universe into multiple designs. Unveiled in the spectacular setting of the Michelangelo and Daru Galleries in the Louvre, the collection with its Fornasetti images of antiquity builds a time-travelling aesthetic and creative dialogue with the museum’s remarkable array of Greek, Etruscan and Roman sculpture.

The collaborative designs in the F/W 2021 collection feature specific Fornasetti themes and artworks, selected by Nicolas Ghesquière in dialogue with Barnaba Fornasetti, the Artistic Director of the Fornasetti atelier, and their teams, from the 13,000-piece Fornasetti archive in Milan. These clothes and accessories use a rich combination of colours, textures and traditional, cutting-edge techniques including jacquard, embroidery and laser printing, intertwining Fornasetti’s exquisitely illustrated world with Nicolas Ghesquière’s strikingly contemporary design.

Highlights include velvet dresses, shiny printed jersey tops upon which Fornasetti drawings of ancient statues are overlaid on high-tech thermal-camera imagery, as well as fleece hooded jackets and tailoring pieces. Oversize outerwear pieces feature Fornasetti print both in a stamp inspired coloured version and, in a gold, coated version.

The show collection will be followed by a wider Louis Vuitton-Fornasetti capsule collection to be launched at a later date featuring a broader selection of Louis Vuitton products that draw on Fornasetti motifs, such as buildings, locks, keys and portraits. These include a captivating version of the Cannes bag in transformed leather, beautifully embellished with a Fornasetti black-and-white architectural drawing and reminiscent of the Renaissance-era Baptistery in Florence, and a reworked Petite Malle that seems to have been inflated and covered with a dome printed metallic leather, creating a striking optical illusion.

«With this collaboration, I wanted to use the pieces to evoke the continuing modernity of Fornasetti’s artistic world,» says Nicolas Ghesquière. «Fornasetti’s enduring body of work is the realisation of a remarkable hand-drawn technique and magical take on the world, and I am particularly drawn to the way Fornasetti re-explored and reworked the heritage of classicism and ancient Rome, adding new references to historical imagery. As a designer who has always loved fashion’s ability to evoke the past, present and future simultaneously, I wanted to add new layers to this creative palimpsest. Exploring the Fornasetti archives had the excitement of an archaeological dig, searching for and finding drawings from the past to give them a new life for Louis Vuitton – for now and the future

«My father was an innovator who believed in the handmade, just like Louis Vuitton,» says Barnaba Fornasetti, son of Piero Fornasetti, and the brand’s artistic director. «Our vision has always been to bring Fornasetti’s unique artistic imagination to people through beautifully crafted objects, and this rewarding collaboration represents a new opportunity to expand and explore its visual creativity

In all its facets, the Louis Vuitton-Fornasetti collaboration embodies the two Houses’ shared sense of experimental traditionalism: an effective blend of Louis Vuitton’s forward-looking creativity and craft and Fornasetti’s magical and visionary depiction of the world.

Personally speaking, I absolutely love it! Finally, a collection with creativity behind it. Something that has been missing lately…

LoL, Sandra

Photos: © Louis Vuitton
DISCLOSURE: This post is NOT sponsored. I am just loving it!

Backstage at Chanel F/W 2012: The Makeup

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For the first time, there was a credit that no one has seen at a runway show before: One of Chanel’s famous Parisian ateliers, the legendary couture embroidery house Lesage, lend their skills to Peter Philips, Creative Director for Chanel Makeup, by creating the most stunning embroidered eyebrow pads for the models.

Lesage (embroidery) is along with 7 other ateliers part of Chanel’s subsidary dedicated to “Métiers d’ art”, Paraffection. These include Montex (embroidery), Desrues (costume jewelry), Lemarié (feather-maker), Maison Michel (hat-maker), Massaro (boot-maker), Goossens (goldsmith) and Guillet (fabric flowers-maker).

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The emphasis of the runway makeup look is on the eyebrows by using those amazing Lesage pads which won’t be for sale unfortunately. The rest of the face is kept nude and simple.

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But there are two new products that will be available in the fall that will make our hearts leap with joy. “Ombre Contraste” is a compact powder in a lavender-taupe shade, called “Notorious” specially created for this show that Peter Philips used for all the shading and sculpting of the face.

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For the nails, the new It- shade will be “Frenzy”, a light taupe, which is totally colour coordinated with “Notorious”.

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Here is your shopping list:
(the highlighted ones will be available this fall, the rest is in stores already):

Chanel F/W 2012 Ready-to-Wear Show
Makeup by Peter Philips

Skin prepared with HYDRA BEAUTY SERUM

The Complexion
MAT LUMIERE
POUDRE UNIVERSELLE LIBRE
ECLAT LUMIERE
CORRECTEUR PERFECTION

The Eyes
LE CRAYON KHOL « Clair » (N°69)
RECOURBE CILS DE CHANEL
Embroideries made by Maison Lesage specially for the show

The Eyes and the Cheeks
OMBRE CONTRASTE “Notorious” – Exclusive Creation available in specific point of sales in September 2012

The Lips
ROUGE COCO BAUME – Spring 2012 Collection

The Nails
LE VERNIS « Frenzy » (N°559)  – Fall 2012 Collection

Cannot wait to have “Frenzy” on my nails!

LoL, Sandra

2012-13 FW RTW_02Photos: © Chanel 2012, Vincent Lappartient

Chanel Paris – Bombay Runway Show

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As promised, here are the photos that I took during the Chanel Paris – Bombay Pre-fall 2012 Métiers d’Art show in Paris last week. My eyes could not get enough of this opulent perfection, I truly loved the show and had to capture every single moment which meant over 200 photos.

Every year since 2002, Chanel has taken the Métiers d’Art show as an opportunity to showcase master craftsmanship. The artisanal crafts of embroidery, leather work, featherwork, boot‐making, millinery, and gold and silversmithery are represented by Lesage, Montex, Desrues, Lemarié, Massaro, Michel and Goossens, each striving to honour its unique heritage. Karl Lagerfeld spotlighted their skill last week at the Grand Palais in Paris, whose Galerie Courbe had been transformed for the day into a luxurious Maharaja’s palace. We were seated at an almost surreal banquet, transported by gentle jasmine aromas as they feasted their eyes on the Paris‐Bombay collection. For more photos of the decor, please have a look at the previous post by clicking here.

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The show whisked me away to a Bombay dripping with opulence. “It’s a concept of India. More Chanel than India. The Parisian version of an India that doesn’t exist,” elaborated Karl Lagerfeld. He could not have described it better. It was a very modern extraordinary take on the India without being a masquerade. The designer played with the details and made me crave for every single look. But see for yourself:

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Under the glow of chandeliers and ceiling lights, the Paris ‐ Bombay collection evoked a new femininity. The charm of India, the pomp and splendour of fabrics and the magic of gemstones intermingled with the Chanel aesthetic of cascading pearls, contrasting black and white, and braided tweed jackets.

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One of my favourite looks was this hot pink dream!

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The probably most Indian-inspired looks presented a new stunning silhouette of the sari in a modern masculine‐feminine concept, inspired by Maharajah style, glorified in splendid draped fabric, and ultra‐feminine in a dainty jacket with diamante epaulettes. Inspired by the achkan, the brocade jacket with Nehru collar was manifested here in a series of alter‐egos: a gold‐embroidered darted jacket with pearl braiding, a white plastron jacket with mirror‐embroidered pockets, a darted half‐belt jacket with baroque‐pearl‐studded collar, a riding jacket and crested blazers with tailored shoulders.

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Needless to say, the jewelry was divine. You would like to own every single piece!

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The “bride” appeared on the runway in an embroidered ivory silk crepe dress draped over the body and head. Cue the sensuous rustle of saris exiting the Maharajah’s palace to decorate cities everywhere.

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THE ACCESSORIES:

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Karl Lagerfeld reinterpreted the already iconic Chanel Boy Bag in many different versions. The bi-coloured one below with the embellished strap can be only described as absolutely divine!

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All shoes were flat with thigh‐boot flats stamped with arabesque motifs that marvellously set off the most luxuriant materials. Get yourselves on the wait lists now!

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HAIR & MAKE UP:

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Jewel‐buttons, jewelled bindis were adorning the forehead. The hair was done in a Rasta style. The focus of the make up was laying on the eyes with a heavy kohl embellishing the smokey eyes. Peter Philips, Creative Director of Chanel Make up, came up with a graphic, mysterious interpretation of an iconic Indian beauty.

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On the nails: The new Le Vernis Diwali that Peter Philips had specially created for the Chanel Paris-Bombay Métiers d’Art show! This new light golden shade which will hit the shelves around June 2012 will be a must next summer.

THE MUSE:

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No Chanel show without Karl Lagerfeld’s muse: Baptiste Giabiconi.

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And last but not least some hard facts about the stunning Paris-Bombay decor:

– 50 meter long buffet table
– Flowers: roses; jasmin or lotus flowers
– Small train which distributes beverages (100 meter rail) around the buffet
– Bell jars, danishes, fruits baskets, glass ornement chandeliers….
– Floor: sequined sand, roses petals

I am definitely not exaggerating by saying that this was the most amazing show I have ever been to! Thank you, Karl!

LoL, Sandra

PBKarl2Photos: © Sandra Bauknecht

Do-It-Yourself with Fendi

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Are you tired of seeing your new bag hanging on other shoulders in the city? Would you love to have a designer bag in good quality just for yourself?
Fendi has the solution: The DIY Baguette Bag. The raffia (trend material this summer) bag in the iconic baguette shape comes in a pretty presentation box including a DIY embroidery kit with multicoloured threads, needles, thimbles and inspirations for your arts and crafts. I love the idea of creating an individual hand made piece and still having a brand accessory but I don`t agree with the price. Almost €800.- that I am doing most of the work myself is definitely too much.
Great concept – bad pricing!

LoL, Sandra

Locher’s

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Do you still need a Christmas present? I got an idea for you that is fun, cute, sexy and absolutely hilarious! Have a look at www.lochers.com. Being a Swiss Girl in Paris, Nicole Locher, opened her design atelier in 2005. She is creating that shock of contrast that I so much adore as she combines the beautiful artwork of vintage inspired embroidery with the playful modern attraction of a dirty saying. I think those tees and jewelry pieces will save you some words….

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This combination below would be my way of combining a tee and necklace by Locher`s. From the outside very preppy with that little feather headband but look at those heels and especially at the garter belt. Who is going to be …… in the head now?

LoL, Sandra

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