My Look: Maybe

Maybe it is not in the perfection of life that things make sense, but in the chaos. This can also apply to an outfit. Sometimes I like to mix and match unexpected things. The chaos can create perfection. With much love from Gstaad Palace.

My look: Houndstooth long belted coat in blue and white, matching houndstooth shorts, dark blue cashmere sweater with logo (all from the Pre-Collection F/W 2019), suede boots with sleeve, patchwork classic flap shoulder bag (2012), and AirPods case in white caviar leather, all by CHANEL, Sabrina wool-felt and fishnet capicon by Eugenia Kim, silver-tone, faux pearl and crystal earringsicon by Simone Rocha, Double C diamond black lacquer white gold ring by Cartier, and Aquanaut Luce in khaki green by Patek Philippe.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
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My Look: Hollywood On The Tiber

On my way back to my beloved GSTAAD PALACE, for a fun weekend with CHANEL and to celebrate my friend’s birthday. I have never shared these photos from last year’s ASMALLWORLD weekend that unfortunately doesn’t take place anymore.

The theme for Friday night was HOLLYWOOD ON THE TIBER, a term which encapsulates the splendor of nocturnal Rome between the end of the 1950s and early 1960s when the city was a true capital of cinema.  The dress code said all-out old Hollywood glamour and I went for a petticoat style.

My look: Pink layered tulle dress with floral embroidery, pink satin gloves and hoop petticoat underskirt, all by Moschino (Look 23, S/S 2021), Odette lace pumps in rose by Jimmy Choo, Devotion mini bag in silver by Dolce & Gabbana, head piece by Stephen Jones, necklace and earrings, both by Alessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
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Rolls-Royce Amethyst Droptail

Rolls-Royce Motor Cars unveiled the amazing Rolls-Royce Amethyst Droptail to the commissioning client, their family and friends at a private event at Gstaad Palace in Gstaad, Switzerland – a region of particular significance for the patron. The car is a breathtaking coachbuilt masterpiece that celebrates its commissioning client’s cultural heritage, family legacy and personal passions.

One of four unique expressions of the Rolls-Royce Droptail, Amethyst Droptail is a truly elevated expression of applied art, commissioned by a patron whose family business has grown from a gemstone boutique to a multinational corporation with diversified interests. Exceptionally well-travelled, internationally educated and truly global in their inspirations, the client is an established patron of the arts, whose collection of precious jewels, significant motor cars and contemporary artworks are housed in a specially commissioned private museum.

The patron tasked Coachbuild designers to create an elegant expression of Droptail inspired by the amethyst gem – the birthstone of their son and an enduring symbol of purity, clarity and resilience; themes that are explored throughout this exceptional motor car in extraordinary depth. The client’s passion for quiet artistry and subtle flourishes is what defines Amethyst Droptail – a projection of true connoisseurship that rewards those who study it with beguiling details.

A FLOWER IN THE DESERT

The patron and co-creator of Rolls-Royce Amethyst Droptail expressed a profound desire to celebrate the cultural heritage of their home region. Rolls-Royce Coachbuild designers responded with an inspiration point that would define this Droptail’s exterior treatment: the Globe Amaranth wildflower, which blooms in the desert near one of the client’s homes.

The duotone exterior paint finish captures multiple stages of the flower’s bloom. The main body colour is a soft purple hue with a delicate silver undertone, named Globe Amaranth in tribute to the flower, and is enhanced with fine flecks of powdered aluminium that reflect the light and create a captivating iridescent finish. A deep purple Amethyst contrast paint, which is used on the motor car’s upper coachwork, contains a blend of red, blue and violet mica flakes that together create a unique mauve colour with a subtle metallic sheen.

In sunlight, the motor car also reveals a gentle hint of mauve paint on the inside of the 22-inch wheels, providing a subtle but elegant contrast to the mirror-polished aluminium surface; a touch that the client compared to the colourful lining of their favourite bespoke jacket.

The exterior is finished with a subtle but highly complex treatment to the carbon fibre used to construct the lower sections of the motor car. The result of two years of development, the marque’s craftspeople created a chevron pattern book-matched along two axes, which adds geometric decoration to Rolls-Royce Amethyst Droptail’s technical exterior surfaces. The carbon fibre itself is finished with a fine layer of lacquer tinted with Amethyst pigment, which in most lights reads as body colour. This intricate and technically demanding detail is hidden until the motor car is closely scrutinised, speaking of the client’s passion for subtlety and restraint.

DEPTH OF DETAIL

The client’s trust in Rolls-Royce’s artisans to execute the most challenging flourishes is expressed in the Pantheon grille treatment. The exterior grille surround and ‘kinked’ vane pieces are partially hand-brushed and partially hand-polished with a precise line demarking each finish – a surface treatment that had never been attempted on this scale before. The concept was suggested by the commissioning client’s son, a collector of haute horlogerie who was inspired by the brushed hands of an historically significant piece in his archive. Achieving the perfect uniformity in the finishes, as well as the sharpness of contrast between the finish types, was the result of more than 50 hours of collective work.

Beneath this extraordinary expression of contemporary craftsmanship is an intricate lower front air intake. This highly detailed piece was digitally designed and ‘printed’ in a lightweight composite and incorporates 202 hand-polished stainless-steel ingots, each of which has been painstakingly painted by hand in the Globe Amaranth hue.

The front end is resolved with a Spirit of Ecstasy figurine surrounded by amethyst cabochons. The cabochon treatment, whereby a gemstone is shaped and polished into a rounded form rather than faceted, was requested by the client in order to avoid a conspicuous sparkle. This subtle detail recalls the client’s early enterprise in the precious gemstone business.

CELEBRATION OF MATERIALS

Rolls-Royce Amethyst Droptail celebrates the materials and crafts personally curated by the commissioning client and his family. The material selection began with a sample of wood offered by the client – a stunning Calamander Light open-pore wood, which has a complex texture and long bands of colour.

The colours of the client’s initial wood sample served as the inspiration for the motor car’s leather treatment – the gently contrasting leather, in the aptly named Sand Dunes hue, was developed to perfectly match the caramel strands on the Calamander Light open-pore wood. Following this, wood specialists were challenged to source material with bands in precisely the same colour as the leather, a task that took more than six months to resolve, requiring specialists to review more than 100 logs before the perfect piece was discovered.

The primary leather hue, named Amethyst, complements the exterior surface and is finished with a subtle pearlescent lacquer, reminiscent of the brilliance of the precious gemstone after which the motor car is named.

For Amethyst Droptail, Rolls-Royce has created the most extensive wooden surface area in its history, with the material extending from the motor car’s fascia and doors to the shawl panel, cantilevered ‘plinth’ centre armrest and onto the aft deck.

In applying wood to the aerodynamically functional aft deck, the marque’s aerodynamicists and wood specialists worked closely together to experiment with not just the form of the panel, but with different wood-grain textures and the precise angle of the placement of the veneer itself. The result is both an extraordinarily artistic piece and the world’s only ‘raw’ wooden surface that produces downforce on a new roadgoing motor car.

A completely new veneering process was developed specifically for Amethyst Droptail, with each veneer sheet placed upside down to expose the raw wood texture. Two techniques are combined: ‘bookmatching’ at 55 degrees, in which the sheets of wood mirror each other, and ‘slip-matching’, in which the sheets of wood are aligned side by side in sequence, to create a repeating grain pattern for an organic, natural effect that gives the illusion of a single piece of wood.

To ensure Amethyst Droptail can be enjoyed by its commissioning client in a variety of climates around the word, the interior wood parts were tested to meet the same rigorous endurance standards as the exterior parts. Prior to its final construction, more than 150 samples underwent over 8,000 hours of testing. This included a full sunlight exposure simulation and rainfastness assessment, as well as testing for durability in temperatures ranging from +80°C to -30°C. The deck’s protective coatings, developed specifically for Amethyst Droptail, have been granted their own patent.

To complete the interior treatment, the client requested an elegant addition: the adornment of the rotary dials with rare amethyst gems. As with the gems at the base of the Spirit of Ecstasy figurine, they too are shaped in a convex cabochon style rather than faceted. The stunning depth and clarity of each stone is of a standard usually reserved for fine jewellery. Each stone was examined by experts within the client’s organisation before they were personally and individually approved by the client. The interior suite is resolved with woven leather floormats – a subtle tribute to the traditional weaving crafts found for centuries in the souks of the client’s original home region.

BESPOKE, ELEVATED

A removable hard top has been designed to give Rolls-Royce Droptail two distinct characters: without its roof, Droptail is a lithe, open-top roadster; with the roof installed, it is a formidable and dramatic coupé.

The roof incorporates electrochromic glass that allows the surface to change colour and transparency instantly. The client challenged Coachbuild designers to develop a glass that would alter its hue in order to correspond with the colourway of Amethyst Droptail. In response, the Rolls-Royce Bespoke Collective developed a unique chameleon effect for its electrochromic glass: when deactivated, it is completely opaque and has a subtle purple tint, mirroring the motor car’s Amethyst exterior finish. Once the glass is activated at the touch of a button, it becomes translucent with a hue that matches the Sand Dunes leather colour used in the interior suite. The realisation of this extraordinary flourish required specialists to experiment with 60 iterations of glass colouring before a perfect match was found.

A SINGULAR TIMEPIECE

Rolls-Royce Amethyst Droptail fascia is graced with a unique timepiece commissioned by the client from the renowned Swiss haute horlogerie maison, Vacheron Constantin. Handmade in Geneva, the piece, named ‘Les Cabinotiers Armillary Tourbillon,’ has an intricate hand-wound movement and is securely housed in a specially designed holder, enabling it to be removed and stored separately from the motor car if desired. The timepiece features a bi-retrograde display with instantaneous return of the hours and minutes as well as a bi-axial tourbillon.

Vacheron Constantin and Rolls-Royce Motor Cars worked closely together to ensure the forms, materials and colours of the timepiece were in perfect harmony within the motor car. The instrument dials combine amethyst-coloured inserts with the partially brushed and polished finish of the timepiece’s hands. The timepiece is affixed to a white-gold baseplate with a hand-crafted sunburst guilloché pattern.

AMETHYST DROPTAIL: A PERSONAL PLACE IN ROLLS-ROYCE HISTORY

This extraordinary expression of Rolls-Royce Droptail is a testament to the commissioning client’s passion for quiet detail, playfully but meticulously incorporated into one of the most historically significant Rolls-Royces ever built. It also represents the marque’s capabilities, not just in realising such a clear vision, but in artfully harmonising heritage, modernity and soul.

LoL, Sandra

Photos: © Rolls-Royce and © Vacheron Constantin
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My Look: Last Days of Winter

No winter lasts forever; no spring skips its turn. Make those last days of winter count. Regardless of where you live, welcoming the spring season is something out of a dream. It is just a little bit closer to the yearly summer solstice that so many of us look forward to. I enjoyed the winter season at my beloved Gstaad Palace, where we took those photos outside the spa.

My look: Glitter jumpsuit (Look 21 F/W 2021), cardigan with neon pink thread (S/S 2020), tweed bag with chain logo (S/S 2020), chain creole earrings (S/S 2021), pearl necklace, sunglasses with chains, black pearl necklace with smiley emoji (F/W 2016), white headband with camellia (S/S 1995), fur boots (F/W 2021), and Limelight Gala watchicon by Piaget.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
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My Look: VIP Party Mood

The Gstaad Palace is home to one of the most famous nightclubs in the Alps: GreenGo Nightclub. It is definitely the best place to party in Gstaad with its stylish interior design straight from the 1970s. Under the pulsing lights, I loved to dance the night away to the sounds of resident DJ Jim Leblanc and international acts in my beautiful new sparkly jumpsuit by German designer duo Talbot Runhof, that are well known for their beautiful evening wear. The perfect stylish, yet comfy outfit to enjoy the vibrating beats of the night.

As you can see, the club has a new highlight with the fun artwork by @wonderwalls 3780 that decorates the fumoir, featuring many celebrities that stayed at the Palace.

My look: Midnight blue sequined jersey jumpsuit Didi4 by Talbot Runhof, fox fur jacket in blue degrade colors by Dior, silver-tone crystal clip earrings, and embellished-heart tassel necklace, both by Alessandra Rich, black calf leather lace up Janis pumps by Saint Laurent, and Celebrations embroidered canvas book clutch by Olympia Le-Tan.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

My Look: Anagram

For the past few years, Loewe has been back in the fashion scene in full force. Fashionistas around the globe crave for the trendy designs by Jonathan Anderson, who got appointed as creative director in 2013. The Spanish House has been undergoing a steady transformation since then. Under Anderson’s creative vision, the famous Anagram logo got remodeled.

The quadruple-L insignia designed in 1970 by Spanish artist Vicente Vela appears now in different ways on ready-to-wear and accessories. The cropped tank tops with the mini logo have been on everyone’s wish list, so don’t miss out!

My look: Anagram mohair-blend sweater, cropped embroidered ribbed stretch-cotton jersey tankicon, and Anagram high-rise cropped jeans, all by Loewe, Bow Chain embellished satin platform pumps by Mach & Mach, orange and yellow Deauville beach tote by CHANEL, and Aquanaut Luce in khaki green by Patek Philippe.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
The photos were taken at the Gstaad Palace hotel.
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

My Look: Zodiac Lover

Birthdays at Gstaad Palace are birthdays well spent. My friends and family spoilt me to the fullest and I got surprised with many orange boxes. I have such a thing for zodiac signs and am a proud aquarius girl. Therefore I truly love the Zimmermann F/W 2022 collection dedicated to astrology.

My look: Celestial Zodiac embroidered mini dress, and embellished knee-high boots, both by Zimmermann, Lotus bead-embellished pleated leather toteicon by Ulla Johnson, earrings and pearl waist belt, both by CHANEL.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography 
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

My Look: Ultimate Style

What is the ultimate style? For me this means investment pieces that are timeless, classy and that you can keep for many seasons to come. In terms of brands, CHANEL is one of the Houses that offers great and seasonless investment opportunities.

My look: Sparkling knitted dress with silky underdress by CHANEL, Chiara crystal-embellished suede slingback pumpsicon, and Palmette crystal-embellished suede cross-body bag, both by Christian Louboutin, and necklace by iconAlessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht – The photos were taken by myself at Gstaad Palace.
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

My Look: Dolce at the Palace

Sporting a head-to-toe Dolce & Gabbana floral look at Gstaad PalaceI absolutely adore how the gloves and overknee boots blend in with print of the jumpsuit.

Great news is that Mid February the Italian Maison will take over the Palace for two weeks, host a gala, and present their Alta Moda collection as well as their stunning high jewelry inside the hotel’s Salle Baccarat to the distinguished clientele.

My look: Long floral-print down jacket, jersey Turlington blazer with rose print, power jersey jumpsuit with rose print, overknee boots with rose print, jersey gloves with rose printicon, and rose-print logo-plaque headband, all by Dolce & Gabbana, 2001 eagle plaque flap shoulder bag, and matching 2001 eagle logo earrings, both by CHANEL.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography 
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

My Look: Aries

I am such a zodiac lover. Therefore Zimmermann‘s F/W 2022 collection, called Stargazer, caught my eyes immediately. Sisters Nicky and Simone Zimmermann created the most beautiful collection moulded around the mysticism of the zodiac. It is a fairytale decadence dedicated to our unique place in the universe; it is for a decadent heroine who’s meandering a maze of fantasy both light and dark. I loved the print and the orange hues dedicated to the sign of the aries. As I gave birth to one, I couldn’t resist to get this look.

My look: Kaleidoscope Aries cotton-blend shirt dress, and Kaleidoscope Aries printed leggings, both by ZimmermannAevitas Pointy satin platform pumps by Versace, Cleo crystal-embellished shoulder bag by Prada, Mitza ring by Dior Fine Jewellery1994 faux-pearl dangle CC clip-on earrings, and pearl necklace, both by CHANEL.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography  – The photos were taken at Gstaad Palace.
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!