Sandra‘s Closet

You know how much I love my Royal Oak Frosted Gold watch that Swiss Haute Horlogerie Manufacturer Audemars Piguet launched in collaboration with Carolina Bucci. 2022 marks a new milestone as Audemars Piguet presents a new limited edition 34 mm Royal Oak Selfwinding in black ceramic. This timepiece is the fruit of the latest collaboration between the manufacture and Carolina Bucci. In celebration of the Royal Oak’s fiftieth anniversary, the Italian jewellery designer has created a dial endowed with a unique multi-coloured mirror effect paying tribute to the iconic Tapisserie design. Inspired by urban landscapes, the result is as unexpected as it is elegant. This limited edition is designed for both men and women and is available exclusively in Audemars Piguet boutiques and AP Houses.

A SUBTLE AND UNEXPECTED AESTHETIC
For her third collaboration with Audemars Piguet, Carolina Bucci has left behind her hammering technique, known as Frosted Gold, to enrich an all-black ceramic piece with a surprising dial. Always looking to meet new challenges, she decided to focus on contrasts. At first glance, the dial appears black, but on closer inspection it reveals a multi-coloured spectrum that brings the Tapisserie effect to life in the ever-changing light. To reach this result, a sapphire plate adorned with little squares achieved through micro-structuring is added on top of the brass dial plate to create rich rainbow-coloured plays of light. A golden metallisation, specially developed for the occasion, is also applied onto the back of the sapphire plate to create a mirror effect and shines light onto the dial. The pattern of iridescent colours varies from dial to dial, making each design unique. This limited edition comes in a presentation box that has also been designed by Carolina Bucci. For this special occasion, the jewellery designer wanted to use the Tapisserie pattern in relief, going into the finest details, to pay homage to the 1972 classic.

«I wanted to place a rainbow in the most unexpected of places, a little like when you see oil floating on a puddle in a city street… So here you have every colour of the spectrum on a canvas that is completely black, which is itself the absence of colour.»
Carolina Bucci – Jewellery Designer

MATERIALS FULL OF CONTRASTS
The black ceramic case and bracelet are highlighted by hexagonal pink gold screws that secure the bezel and create an elegant contrast of colours. All the components of the case and bracelet are finished with the Manufacture’s signature satin-finishing that is paired with polished chamfers for a maximum play on light. The bracelet has been slightly revised to provide a better visual effect. The pins connecting the links to the studs are no longer visible from the side, but are directly integrated into the studs.

The titanium and sapphire caseback is engraved with the inscription «Limited Edition Carolina Bucci» and reveals the Calibre 5800 beneath, which indicates the hours, minutes, seconds and date. In keeping with the finish on the screws, hour-markers and hands, the 22-carat pink gold oscillating weight features elegant microbead-blasted, polished and satin finishes. On the dial, the AP monogram has vanished to leave pride of place to the long-form signature which has been engraved on top of the sapphire plate and filled with white lacquer due to the singularity of the dial imagined by Carolina Bucci.

My beloved Frosted Gold watch.

A COLLABORATION IN CONSTANT EVOLUTION
Carolina Bucci first started working with Audemars Piguet in 2016 for the 40th anniversary of the women’s Royal Oak that was created by Jacqueline Dimier in 1976. It was for this special occasion that the Italian designer was invited to reinterpret the original design by Gérald Genta. Together with the Manufacture’s watchmakers, she brought the ancestral technique of Florentine hammering, or Frosted Gold, to the complex architecture of the Royal Oak.

This technique consists of creating tiny indentations in the gold with a diamond-tipped tool that results in a sparkle that looks like diamond dust. Two models were initially released – the 15454 in 37 mm and the 67652 in 33 mm in a choice of white or pink gold – during an international event with Jacqueline Dimier in attendance. This marked the beginning of Audemars Piguet’s collaboration with Carolina Bucci. Since 2016, the Frosted Gold finish has been applied to numerous watch collections, sizes and complications.

In 2018, the designer signed a limited edition of 300 pieces for Audemars Piguet, entirely crafted in frosted yellow gold with a unique dial. Instead of the model’s trademark Tapisserie design, Carolina Bucci chose a mirrored dial with a flat surface evoking the surface of a lake on a calm day, reflecting the surrounding landscape. Despite its apparent simplicity, the mirrored dial presented a number of technical challenges that the Manufacture’s artisans were able to overcome to perfection.

In 2020, she went on to design the K.I.S.S. collection of gold bracelets – available in two sizes and numerous tones with matching necklaces – that were inspired by her previous projects with the Manufacture. These creations reinterpret the aesthetic codes of a mechanical watch spring, creating a link between Haute Joaillerie and Haute Horlogerie.

«Born in Le Brassus, raised around the world.»

Today, Carolina Bucci pays tribute to the Royal Oak’s 50th anniversary, with a design in black ceramic contrasted with multi-coloured reflections on the dial, providing the watch with unexpected plays of light. The Royal Oak Selfwinding 34 mm will not only surprise watch lovers with its iridescence, but will also seduce them with its sober and discreet refinement.

Price: CHF 48 500 // Limited Edition of 300 Pieces

LoL, Sandra

Photos: © Audemars Piguet, © Sandra Bauknecht
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After today’s earlier post about the launch event of the new Royal Oak Frosted Gold by Audemars Piguet in Florence, I would like to show you this beauty in detail. For me, it was love at first sight. Since quite some time, I have been wishing for a rose gold watch but have not discovered the one I truly liked. Now I have found my match.

The new Royal Oak Frosted Gold from 2016 interpreted by Carolina Bucci.

A design icon – the Royal Oak from the ’70s created by Jacqueline Dimier

Celebrating 40 years of a women’s design icon, this contemporary timepiece is available in both white gold and pink gold and has been created in collaboration with Florentine jewellery designer, Carolina Bucci whom I met in her studio in Italy for an amazing interview that will be published shortly. Just like the Royal Oak Frosted Gold, I was immediately taken by her style, grace and sophistication. Moreover, she is a warm-hearted person and it felt like we have been knowing each other for ages.

Having fun at work: Carolina Bucci and Jacqueline Dimier

The original Royal Oak was designed by Gérald Genta in 1972 und reinterpreted by Jacqueline Dimier in 1976 as the first version for women. It was a first task when she joined the company in 1975. Rather than play down the masculine looks of the Royal Oak, Jacqueline Dimier shifted the approach and played to its strong character, adapting its handsome proportions to obtain a lighter, sleeker look.

In 2016, the Le Brassus Manufacture honours the style and character of another female designer, Carolina Bucci, who has contributed to the Royal Oak legacy.

The launch of the Royal Oak Frosted Gold enriches Audemars Piguet’s tradition of experimenting with jewelry techniques. Its defining feature resides in its shimmering sparkle reminiscent of diamond dust, which in turn comes from a surface treatment process rooted in an ancient gold hammering technique, also called the Florentine technique which is an iconic style element used by Carolina Bucci for her eponymous jewelry line.

By beating the gold with a diamond tipped tool, it creates tiny indentations on the surface that give a sparkle effect similar to that of precious stones. After many months of trial and error, Audemars Piguet’s experts developed it into a horological craft suited to the unique case and bracelet construction of the Royal Oak.

One of the challenges for Audemars Piguet’s craftsmen was for example that the original gradating bracelet construction demanded that the order in which the rest of the finishing (polishing and satin finish) is executed be reconsidered.

It took many weeks between both parties, Bucci’s Florentine craftsmen and Audemars Piguet’s manufacture to alter the surface of the gold in such a way that it sparkles when catching the light, while retaining the softness and flexibility of the Royal Oak’s bracelet. It is a very delicate alchemy to operate: nothing is added, nothing is removed, but the watch is transformed.

Today Audemars Piguet merges Jacqueline Dimier’s timeless design with Carolina Bucci’s contemporary approach, marking a dazzling link between modern horology and contemporary jewellery: The Royal Oak Frosted Gold, when a watch icon turns 40 years young!

TECHNICAL SPECIFICATIONS

ROYAL OAK FROSTED GOLD – 37 mm (MY FAVORITE!)
Ref: 15454OR.GG.1259OR.01

CASE
Hammered 18-carat pink gold case, glareproofed sapphire crystal and caseback, water-resistant to 50 m.
DIAL
Silver-toned dial with “Grande Tapisserie” pattern, pink gold applied hour-markers and Royal Oak hands with luminescent coating.
BRACELET
Hammered 18-carat pink gold bracelet with AP folding clasp.
FUNCTIONS
Hours – Minutes – Centre seconds – Date

ROYAL OAK FROSTED GOLD – 33 mm
Ref: 67653OR.GG.1263OR.01

CASE
Hammered 18-carat pink gold case, glareproofed sapphire crystal, water-resistant to 50 m.
DIAL
Silver-toned dial with “Grande Tapisserie” pattern, pink gold applied hour-markers and Royal Oak hands with luminescent coating.
BRACELET
Hammered 18-carat pink gold bracelet with AP folding clasp.
FUNCTIONS
Hours – Minutes – Date

ROYAL OAK FROSTED GOLD – 37 mm
Ref: 15454BC.GG.1259BC.01

CASE
Hammered 18-carat white gold case, glareproofed sapphire crystal and caseback, water-resistant to 50 m.
DIAL
Rhodium-toned dial with “Grande Tapisserie” pattern, white gold applied hour-markers and Royal Oak hands with luminescent coating.
BRACELET
Hammered 18-carat white gold bracelet with AP folding clasp.
FUNCTIONS
Hours – Minutes – Centre seconds – Date

ROYAL OAK FROSTED GOLD – 33 mm
Ref: 67653BC.GG.1263BC.01

CASE
Hammered 18-carat white gold case, glareproofed sapphire crystal, water-resistant to 50 m.
DIAL
Rhodium-toned dial with “Grande Tapisserie” pattern, white gold applied hour-markers and Royal Oak hands with luminescent coating.
BRACELET
Hammered 18-carat white gold bracelet with AP folding clasp.
FUNCTIONS
Hours – Minutes – Date

I am so in love… hope you will like it, too!

LoL, Sandra

Photos: Courtesy of Audemars Piguet

As the women’s Royal Oak celebrates its 40th anniversary, I was invited last week by Audemars Piguet to join them for the unveiling of the new Royal Oak Frosted Gold in Florence at Palazzo Vecchio, which is the town hall of the Italian city.

The dinner was held inside the breathtaking Salone dei Cinquecento that has a length of 52 m (170 ft), is 23 m (75 ft) broad and dates back to 1494. On the walls are large and expansive frescoes that depict battles and military victories by Florence over Pisa and Siena by Giorgio Vasari. You immediately understand why it plays such a key role in Dan Brown’s «Inferno».

Interesting to know is that before the entrustment of Vasari, the two greatest Florentine artists of the time, Leonardo da Vinci and Michelangelo Buonarroti, were commissioned for the construction of two large murals to decorate the walls of the room. Leonardo started working on the «Battle of Anghiari», while Michelangelo focused on another portion of the wall for the «Battle of Cascina», but none of their work was ever completed. Attempts made to find Da Vinci’s original work behind the Vasari fresco have so far been inconclusive.

Two creative minds united: Jacqueline Dimier and Carolina Bucci

Personally speaking: The new Royal Oak Frosted Gold was love at first sight for me.

Coming back to the shining reinvention of an iconic design, that fast first created in 1976 for women by Jacqueline Dimier, the new Royal Oak Frosted Gold has been reinvented in collaboration with Florentine jewellery designer, Carolina Bucci. Both attended the gala dinner along with Jasmine Audemars, Chairwoman of the Board of Directors of Audemars Piguet, François-Henry Bennahmias, Chief Executive Officer, model Arizona Muse, as well as actress and brand ambassador Freida Pinto.

With Audemars Piguet CEO François-Henry Bennahmias

With Freida Pinto

Power Ladies: Sabina Hanselmann-Diethelm, Editor in Chief Style Magazine/Bolero, Jasmine Audemars, Chairwoman of the Board of Directors of Audemars Piguet and Dominique Lohm, PR Audemars Piguet/The Pool with my humble self

Beautiful table setting

Having a great time with Sabina Hanselmann-Diethelm, Editor-in-Chief Style Magazine/Bolero and David Pantillon, Country General Manager Switzerland

Chef Annie Féolde and her team framed by Freida Pinto and François-Henry Bennahmias

After a sensational dinner imagined by local 3* Chef Annie Féolde, the evening ended with a showcase concert by Brocken Back, sending us off in the crisp Florentine night with lots of amazing memories.

Live performance by Broken Back

The next day my adventure continued. I flew with a private jet back to Switzerland to visit Audemars Piguet’s manufacture in Le Brassus.

Stay tuned for more for more details on the visit and the new Royal Oak Frosted Gold that has captured my heart in a second as well as an amazing interview with Carolina Bucci and Freida Pinto.

LoL, Sandra

Photos: Courtesy of Audemars Piguet and © Sandra Bauknecht