London Fashion Week is always my favourite and the British designers are among the ones I like to wear the most. London is about individuality and the most extraordinary talents are based there. Prints and vibrant colours have been seen once more and the British capital seems to be in a blue mood.
Enjoy my little runway reviews!
LoL, Sandra
Mary Katrantzou makes all the heads turn and my heart leap for joy. I am such a big fan of her designs and her S/S 2013 collection has taken her creativity to a new level. Inspired by stamps and banknotes, Mary paired for example metallic brocades and Swarovski crystal mesh printed with banknote designs to achieve an eye-catching look. Her silhouettes were new and different from previous seasons. There is nobody else that flourishes like her. Thumbs up!
Stay tuned for an upcoming post in which I show you all the beautiful details of the collection that I photographed at Mary’s first own showroom in Paris.
Burberry Prorsum has been the blockbuster show of London Fashion Week since quite some time. The house’s social media forerun gives it a worldwide inimitable presence. For the next summer, Christopher Bailey has made “corsets and capes” his must-haves. Metallics in every shade and superb bags, especially in the translucent version will surely be among the house’s new season bestsellers.
Christopher Kane’s collection for S/S 2013 is certainly something for all fashion monsters, in the true sense of the word. At the first sight, you see simple pieces, all white on white, dresses and skirts in pastel hues – however, with a closer look it is clear that there is something more, some pieces are held together with big transparent plastic screws and there is Frankenstein on a T-shirt which will surely be copied a million times. I love it!
It was 15 years ago that Matthew Williamson launched his brand, and his glamourous cocktail and red carpet designs are still up-to-date. His amazing sense for colour could be seen in his S/S 2013 collection in perfection. Great news: Williamson is launching his own line of shoes for the next season, and he showed off his first platform styles on the runway.
Roksanda Ilincic is the queen of colour-blocking and she reinvents the trend each season new. For summer, Ilincic was inspired by the colour experimentation of the artist Josef Albers, something “rigid, masculine, and precise”.
Personally speaking, Peter Pilotto reminded me a little of Mary Katrantzou‘s previous seasons this time. And I don’t mean it badly, both designers belong to this famous new generation of prints. It was a very rich feast for the eyes, as Pilotto and De Vos created their prints three-dimensionally, while adding all sorts of ruffles and flounces. I like it a lot!
Shop Peter Pilotto S/S 2013 now on Moda Operandi!
After five years of showing in New York, Preen, a.k.a. Justin Thornton and Thea Bregazzi, returned to the London catwalk this season. Very pretty were the textured designs combining heavy fabrics with sheers to give the illusion of stripes.
Meadham Kirchhoff always reminds me of Vivienne Westwood at her best. This season, Ed Meadham and Ben Kirchhoff outdid themselves, staging a show so opulent and rococo that I just would like to have everything.
Vivienne Westwood Red Label seemed posh compared to Meadham Kirchhoff‘s baroque approach. Her models with full faces of green, blue, yellow, and pink makeupwalked on the catwalk in ’50s inspired clothing, from fine wool twinsets to pink silk jacquard skirtsuits and cocktail dresses.
Antonio Berardi came up with beautiful very feminine designs in all hues of blue, embellished with sparkling sequins. Tailoring has been his main focus since he emerged as a designer in the Nineties.
It’s all about the two piece for Jonathan Saunders who came up with this lovely red sequin look for example. Personally speaking, I have loved the first looks for which he used a kind of hologram-style shiny materials.
This fall, designers might have to ask for forgiveness after their fashion blasphemy on the F/W 2010 runways. So many collections evoked religion. It was hard not to think episcopally when looking at all those nun-, priest- and church-inspired looks.
