Sandra‘s Closet

Amazing news for all fashion addicts. Our beloved Phoebe Philo announced that she is returning to the world of fashion with an independent, namesake label with LVMH Moët Hennessy Louis Vuitton as a minority investor.

«Being in my studio and making once again has been both exciting and incredibly fulfilling,» Philo said in a brief statement. «I am very much looking forward to being back in touch with my audience and people everywhere. To be independent, to govern and experiment on my own terms is hugely significant to me.»

A graduate of London’s Central Saint Martins fashion college, Philo was classmates with Stella McCartney. Being close friends, Philo joined Stella at Chloé in 1997 as her design assistant succeeding her as creative director in 2001 when McCartney left to set up her own fashion house in a joint venture with Gucci Group.

With her amazing personal style, Philo succeeded in accelerating Chloé’s rejuvenation and catapulting it into the high-margin leather goods business. During her tenure, Chloé’s look was widely copied by fast-fashion chains and she created hit handbags like the Paddington (see photo below) and Silverado.

In 2006 Philo left Chloé. During this break from the industry, she moved back to London to be with her family and had her second child. In 2008, LVMH offered her a job as creative director and board member of the French Maison Céline, where she set up her studio for the company and continued to work in London whilst showing in Paris. She agreed, and presented her debut collection the next year to much critical acclaim.

In 2017 after 10 years of working at Céline and much speculation in the media it was announced that Philo would step down as the creative director of Céline after the Pre-Fall 2018 collection.

Phoebe Philo’s work at Céline redefined what women aspire to wear, with her minimalist aesthetic, clean lines and tonal colour palette gaining traction with critics and consumers alike. Consistently name checked by fashion insiders as the label they want to wear, Philo successfully resuscitated a tired Parisian house and recast it as an imperative part of each season’s fashion dialogue.

It is said that Phoebe has had a small team working in London since late last year to set up her own company.

«I have had a very constructive and creative working relationship with LVMH for many years. So it is a natural progression for us to reconnect on this new project. I have greatly appreciated discussing new ideas with Bernard Arnault and Delphine Arnault and I am delighted to be embarking on this adventure with their support,» Phoebe explained.

Bernard Arnault, chairman and chief executive officer of LVMH, called Philo «one of the most talented designers of our time.»

«We have known her and appreciated her for a long time. Phoebe contributed to the success of the group through her magnificent creations over several years,» he said. «With this in mind, I am very happy to partner with Phoebe on her entrepreneurial adventure and wish her great success.»

I am so excited to see Phoebe’s first collection as I still love to wear all her previous designs at Chloé and Céline. According to an interview with WWD, Phoebe Philo’s eponymous label create clothing and accessories «rooted in exceptional quality and design.» More details about her new brand are said to be revealed in January 2022.

LoL, Sandra

Photos: Courtesy of Phoebe Philo, Chloé and Céline

Yesterday, fashion’s second most anticipated show took place, Hedi Slimane’s debut for Céline. Ups, first mistake. He took the «accent aigu» (acute accent) away and Céline is now Celine. The looks, personally speaking, were very much Saint Laurent at his time, as if he just continued where he left off. For me absolutely boring.

The Celine S/S 2019 show invite

I loved when he started at Saint Laurent and went crazy for his looks. But after some seasons, I had enough in my closet of his rock’n roll chic. Of course, the collection for Celine is good, very ’80s and sexy. It is also ok to stay to true to yourself. But as a designer, I find it important to go with time and to value a brand’s heritage. Hedi just repeated what he did for Dior and Saint Laurent. Instead of taking the Yves away, he went for the accent aigu. Instead of applying his aesthetics to the French Maison in a new creative way, he just did copy and paste. Boring.

Copy and paste

To be honest, for LVMH it would have been the smartest move to give Hedi Slimane his own label.

ABOUT CÉLINE

Céline was founded in 1945 by Céline Vipiana and her husband, Richard, as one of the first luxury brands in the industry to make a made-to-measure children’s shoe business. The couple opened a first boutique at 52 rue Malte in Paris. The brand was recognised by its logo, the red elephant created by Raymont Peynet.

Céline Vipiana

In 1960, the brand decided to change its positioning by focusing its business on a ready-to-wear fashion brand for women with a sportswear approach. Henceforth, the brand offered a range of leather goods such as bags, loafers, gloves and clothes. The trench became the iconic product of the house. In 1973, Céline, who remained at the helmet until 1997, redesigned its logo with the intertwined “C” Sulky canvas, linked to the Arc-de-Triomphe, which appeared as a symbol for Parisians. At that time, Céline began its expansion in the world with the opening of various boutiques in Monte Carlo, Geneva, Hong Kong, Lausanne, Toronto and Beverly Hills.

In 1987, Bernard Arnault decided to buy into Céline’s capital. However, it was only in 1996 that the brand was integrated into the LVMH group for 2.7 billion French francs ($540 million). LVMH propelled the brand to fame with the opening of a boutique at 36 avenue Montaigne in Paris.
American fashion designer Michael Kors was named the first ever women’s ready-to-wear designer and creative director for Céline in 1997. During his tenure at Céline, Kors brought modern femininity with a luxurious spirit. In 2004, he left the fashion luxury house to focus his career on his own brand. In 2005, Italian designer Roberto Menichetti was named creative director. A year later, Croatian designer Ivana Omazic directed the design studio. Omazic was a former consultant for the brand and previously worked with Romeo Gigli, Prada, Jil Sander and Miu Miu. Omazic designed for Céline until 2008, after further disappointments for the brand.

Phoebe Philo’s Céline changed your wardrobe (even if you didn’t realise it)…  she managed to predict what you want six months before you know you do.

On September 4, 2008, the fashion portal Women’s Wear Daily announced that Bernard Arnault, president of LVMH, had appointed Phoebe Philo as the new creative director of Céline. Her tenure began in October 2008, and she presented her first ready-to-wear collection for S/S 2010 at Paris Fashion Week. Pierre-Yves Roussel, chief executive officer of LVMH’s fashion division, said that recruiting Philo was giving her the opportunity to express her vision. Philo brought a new touch to the brand creating functional clothes with a focus on materials and tailoring. In 2009, Vogue Magazine defined her style as the “cool minimal trend”. Philo studied at Central Saint Martins School of Art and Design in London. Prior to Céline, Philo held the position of Design Director at Chloé. In 2010, she received the Designer of the Year award from British Fashion Council. In 2011, she was awarded International Designer of the Year by the Council of Fashion Designers of America. Both prizes were awarded for her work at Céline.

We all wanted it! Céline’s Boston bag – first seen on the S/S 2010 runway.

In December 2017, following increasing rumors in the press, Philo announced her departure from Céline after finishing the F/W 2018 collection, which is to presented in March of that same year. Thanking her team, Phoebe Philo stated “Working with Céline has been an exceptional experience for me these last 10 years. I am grateful to have worked with an incredibly talented and committed team and I would like to thank everyone along the way who has been part of the collaborations and conversations…it’s been amazing.”

Hedi Slimane

On January 21, 2018, LVMH announced the appointment of Hedi Slimane as Artistic, Creative and Image Director, set to join the house on February 1. He is to direct all Céline collections, extending the brand’s offering with the launch of men’s fashion, couture and fragrances.

Great news for me, I can dress next summer in my former Saint Laurent pieces and will look like wearing new Celine. Money saved for other things…

LoL, Sandra

Photos: © Céline, © Sandra Bauknecht

How do fashion dreams come true in our days? Forget ad campaigns, press releases, fashion magazines, samples and announcements. You just take an It-bag and let it “unexpectedly” dangle from the arm of a celebrity. That is modern advertising and just happened when Lady Gaga sported Hedi Slimane’s first piece for Céline.

A preview for all fashionistas that will surely hit the runway as part of the designer’s inaugural collection for the brand during Paris Fashion Week next month. Slimane was announced as the new artistic, creative, and image director of the French fashion house back in February, succeeding Phoebe Philo.

While visiting Paris, the singer wore the structured bag that is personalized with Lady Gaga’s initials and features gold clasp.

Probably your next Birkin or Kelly bag will be the «Gaga» instead… I am already loving it and you?

LoL, Sandra

Photos: Instagram/@sarahtannomakeup (Lady Gaga’s makeup artist Sarah Tanno)
Instagram/ @ladygaga

This week, Kering announced that Tomas Maier, who has been creative director of Bottega Veneta since 2001, is leaving the Italian brand.

Tomas Maier with Lauren Hutton

The reason? Kering has been dissatisfied for quite some time as Bottega Veneta’s sales have struggled and younger consumers are not interested enough in the brand that focuses extremely on craftsmanship. Compared to another label of the luxury conglomerate, Gucci, Bottega Veneta has been all about understated luxury and still lives up to its motto from the 1970s: «When Your Own Initials Are Enough.»

On the S/S 2017 runway: Gigi Hadid arm in arm with Lauren Hutton

Lately, Tomas Maier made headlines with the model casting for his S/S 2017 runway show. He sent out 73-year-old Lauren Hutton together with 21-year-old Gigi Hadid, confirming that beauty has no age. The same year, the brand reissued the iconic intrecciato clutch worn by Hutton in the 1980 film American Gigolo.

Lauren Hutton carries a Bottega Veneta clutch in American Gigolo.

Reissued: Lauren 1980 intrecciato leather clutch by Bottega Veneta

In a statement, Francois-Henri Pinault, the CEO of Kering, thanked Tomas for his work in the past 17 years: «It is largely due to Tomas’ high-level creative demands that Bottega Veneta became the house it is today. He put it back on the luxury scene and made it an undisputed reference. With his creative vision, he magnificently showcased the expertise of the house’s artisans. I am deeply grateful to him and I personally thank him for the work he accomplished, and for the exceptional success he helped to achieve.»

The new creative director has already been named. It is former Céline director of ready-to-wear, Daniel Lee. Until now, Lee has maintained a low profile at a number of historic design houses. He graduated from Central Saint Martins in 2011, worked at Maison Margiela and Balenciaga, before heading to Céline under Phoebe Philo.

I think that is an interesting choice. Kering has a track record of hiring lesser-known designers to top houses, which worked amazingly in the case of Alessandro Michele and Gucci.

TO SHOP BOTTEGA VENETA ONLINE, CLICK HERE PLEASE.

LoL, Sandra

Photos: Courtesy of Bottega Veneta, via Grazia Magazine

Yesterday, I got the news that after 17 years at Burberry, Christopher Bailey is set to leave the iconic British fashion house in the end of March 2018 making way for a new vision in the brand’s creative strategy.

A digitalized shopping experience at Burberry’s Regent Street store in London.

46- year-old Bailey joined Burberry in 2001 and became CEO and chief creative officer in May 2014. He led the company through successful years, especially when the brand focused a lot on social media. Like other fashion houses, Burberry has endured a difficult period in recent years and in July 2017, Bailey was succeeded as CEO by Marco Gobbetti in July this year who brings a new vision to the brand.

Marco Gobbetti

«Burberry has undergone an incredible transformation since 2001 and Christopher has been instrumental to the company’s success in that period,» said Gobbetti in the official statement. «We have a clear vision for the next chapter to accelerate the growth and success of the Burberry brand and I am excited about the opportunity ahead for our teams, our partners and our shareholders.»

Christopher Bailey

«It has been the great privilege of my working life to be at Burberry, working alongside and learning from such an extraordinary group of people over the last 17 years,» said Bailey. «I am excited to pursue new creative projects but remain fully committed to the future success of this magnificent brand and to ensuring a smooth transition.»

An iconic piece and a must-have for every closet:
The Kensington Long cotton-gabardine trench coat

Rumors are that Phoebe Philo, who worked alongside Gobbetti so successfully at Céline (Gobbetti was CEO at the French luxury brand before), could be a potential candidate to succeed Bailey. Burberry shares fell 1.46 percent on the news of the designer’s departure in London trading.

Burberry F/W 2017 show

TO SHOP BURBERRY ONLINE, CLICK HERE PLEASE.

LoL, Sandra

Photos: Courtesy of Burberry

Céline’s message is clear. Simplicity is the key, but in a modern and stylish way. For S/S 2017, Phoebe Philo’s transported this message not only through her beautiful collection but first and foremost through the accessories. To be a trendsetter this season, you need to look no further than the Céline Clasp bag.

Coming in three distinct sizes, each is incredibly versatile with its understated design. The Medium Clasp is perhaps the most straightforward of the three, a contemporary briefcase with a ’50s approach for a woman on-the-go.

MEDIUM CLASP HANDBAG IN CAMEL BOX CALFSKIN WITH PATINA
32 X 22 X 8 CM (13 X 9 X 3 IN)
CHF 3.200

Then there is the Mini Clasp that makes a great companion for day and night. It has the perfect size for carrying your bare necessities and its cross-body strap makes it a convenient, hands-free option for shopping or a night at the club.

MINI CLASP SHOULDER BAG IN SCARLET NATURAL CALFSKIN
23 X 20 X 3 CM (9 X 8 X 1 IN)
CHF 1.600

The best version of the new must-have range is definitely the Cabas Clasp. This oversized beauty has an exaggerated shape with slim straps, a true eye-catcher thanks to it being almost the length of one’s torso. The perfect bag for women who love carrying their entire lives in their purse.

CABAS CLASP IN BLACK SMOOTH CALFSKIN
43 X 60 X 10 CM (17 X 24 X 4 IN)
CHF 3.550

The new range is now available at Céline boutiques in many different leather styles and colors.

LoL, Sandra

Photos: Courtesy of Céline

Forty internationally renowned experts from the world of fashion (among them Jefferson Hack, Katie Grand, Natalie Massenet, Carine Roitfeld and Patrick Demarchelier to name a few) are to meet thirty applicants to the LVMH Prize during Paris Fashion Week.

They will select a short-list of ten young designers who will go forward to present their work to the jury in May 2014. Entries have already been received from all over the world, including Asia, Africa and South America as well as the United States and Europe, with many more anticipated before the closing date of February 2nd, 2014.

The members of the jury for the first edition of the prize in 2014 are eight creative directors from LVMH Fashion Houses including: Nicolas Ghesquière (Louis Vuitton), Marc Jacobs (Marc Jacobs), Karl Lagerfeld (Fendi), Humberto Leon and Carol Lim (Kenzo), Phoebe Philo (Céline), Raf Simons (Dior) and Riccardo Tisci (Givenchy).

The designers will be joined by Delphine Arnault, Jean-Paul Claverie (advisor to Bernard Arnault and head of corporate philanthropy for LVMH) and Pierre-Yves Roussel (Chairman and CEO of the LVMH Fashion Group).

YOU CAN APPLY HERE! Good luck!

LoL, Sandra

Photos: Courtesy of Louis Vuitton

To celebrate 60 years of design, Chloé is releasing a capsule collection of its most popular styles. Founded in 1952 by Gaby Aghion and Jacques Lenoir, the label has seen many famous designers creating some of the iconic fashion styles, such as Karl Lagerfeld‘s Galaxie dress, Violon dress and Eventail clutch, Phoebe Philo‘s Camera bag, python boots, Silverado bag, paisley-print silk scarf, and wedge sandals, Stella McCartney‘s Ananas pineapple T-shirt and Hannah MacGibbon‘s shorts and cape.

Available online exclusively at net-à-porter, the anniversary heritage collection is also sold in a pop-up shop in the atrium of Paris department store Printemps.

Below you can explore the complete limited re-edition collection. If you like something, just click on the highlighted text to be transferred directly.
Personally speaking, I can only say how happy I am that I have kept all my fabulous Chloé pieces over the years… no need for me to go shopping!

Silk-crepe blouse by Gaby Aghion – Chloé F/W 1960

The Galaxie dress by Karl Lagerfeld – Chloé S/S 1978

The Éventail clutch by Karl Lagerfeld – Chloé F/W 1979 – a limited re-issue of 60.

The Violon dress by Karl Lagerfeld – Chloé S/S 1983 – a limited re-issue of 60.

The Pineapple top by Stella McCartney – Chloé S/S 2001.

The Camera bag by Phoebe Philo – Chloé S/S 2004.

Python boots, Silverado bag and paisley-print silk scarf by Phoebe Philo – Chloé F/W 2004.

Broderie anglaise blouse and wedge sandals by Phoebe Philo – Chloé S/S 2006.

Cape and leather shorts by Hannah MacGibbon – Chloé F/W 2009.

In honour of Chloé’s 60th anniversary, net-à-porter is giving you the chance to share your favorite Chloé moments (e.g. street style shots, favorite products, campaign imagery etc.) to be in with a chance to win a camera bag by Phoebe Philo. All you have to do is share your moments using the #ilovechloe hashtag on Twitter, Instagram or Pinterest. Net-à-porter then shares an edit of their favourite entries on their #ILOVECHLOE pinboard.

Have fun and good luck!

LoL, Sandra

Photos: Courtesy of net-à-porter, Printemps and Chloé

Today, I would like to give you a preview of my Top 20 runway shows for S/S 2011 that I consider the key collections for the next season.

The overall spirit was light-hearted and positive sweeping away the last bit of sobriety. The designers’ colouring box was bright and vibrant with lots of neon shades, vibrant stripes and bold tones.  Many tributes to YSL as well as the 70s were spotted, along with biker and punk themes, floral prints and embroideries, Marrakesh and Shanghai references and pure clean white. Enjoy!

LOUIS VUITTON: Marc Jacobs’ S/S 2011 show for the French fashion house was a hell of a lot of fun, brazen in decadence. A colourful free-spirited collection for the camped-up China girl that loves high-voltage chic. Inspirations from 1930 Shanghai’s Art Deco style to a 70’s New York disco atmosphere were seen in the Cheongsam dresses and bold tiger stripes.
As for me one of my favourites this season.

PRADA: Miuccia Prada’s message was crystal-clear: „It’s time to be bold“. Her ecclectic humours take on her S/S 2011 collection was visionary. Fake baroque paintings (Who would have ever imagined that baroque can be minimal?!), fluorescent stripes, Josephine Baker banana designs and Mexican sombreros lead to that iconic Prada-twist that likes to surprise us.
I am loving it!!!!

JIL SANDER: An implicit change to the Jil Sander woman, that was this collection about. Minimalism inversed into a modern maximalism that led to couture. Raf Simons surprised the fashion crowd with this exceptional S/S 2011 show.
Simple white tees dominated long, full skirts joined with YSL’s rich associations of colours. The shapes were reminiscent of Cristobal Balenciaga’s proportions. The apostel for minimalism, Raf Simons, showed us another optimistic side of the Sander woman without betraying the spirit of the label. Wow! And by the way, the fuchsia lips are gorgeous…

CHRISTOPHER KANE: „Princess Margaret on acid“, this is how Tammy described her brother’s S/S 2011 collection. It was an interesting vision of the future, brilliant and different, like the designer and his place in English fashion. Fluoresent colours and print motifs inspired by yakuza tattoos lightened up the classic and kind of formal pieces.
Watch out for Christopher, this guy is provoking trends!

MARC JACOBS: There were many YSL references on the catwalks and Marc Jacobs was one of the first ones showing them in New York. By taking on the energy of the Studio 54 years and the ’70s, the brilliant American designer came up with one of his best collections, fresh, charming with a modern new spin, an ode to Missoni’s zigzag knits.
I cannot wait to get my hands on the peasant blouses and full skirts. My summer must-haves.

GUCCI: Yves Saint Laurent’s Marrakech years were in the air and a breeze of the ’70s omnipresent at Frida Giannini’s collection  for Gucci. Alternating between electric glamour, safari chic and ethnic touches, the Italian powerhouse continued to celebrate the female silhouette and its seductiveness. You cannot go wrong with this!

EMILIO PUCCI: A beautiful Greek Mediterranean vibe highlighted the collection that was seventies-inflected and mostly long. Peter Dundas knows his craft and the jetset girls will love his luxe hippie dresses worn with laced boots. Nonchalant, elegant, seductive details of which some were a little reminiscent of Yves Saint Laurent will make Pucci a bestseller this summer.

YVES SAINT LAURENT: The seventies are everywhere this summer and so is YSL. Thanks to the retrospective that was held this year in Paris, many designers were influenced by the epic Saint Laurent. But none could stake a more legitimate claim to the Master’s inspirations than Stefano Pilati’s work.
He revisited the codes of the fashion house one by one, „le smoking“, the famous palette of orange and pink, French blue, black and beige, abundant bows and the sophisticated tailleurs. I am so on for a trip down memory lane, and you?

CHANEL: This time, Karl Lagerfeld took his inspiration from the early sixties movie Last Year at Marienbad and created a breathtakingly surreal setting. More than 80 models paraded through the ornamental garden with fountains, water features and gravel paths. The collection was so rich, full of couture details with dégradé chiffon florals, tweed patchwork, feathered edges and more. Just beautiful!

MARY KATRANTZOU: It was her first stand-alone show with which she won the Swiss Textiles Award 2010 in November. Mary Katrantzou is one of the hottest fashion newscomer with her groundbreaking creations. The designer of Greek origin worked in three dimensions and was inspired by the decors and backgrounds of the most beautiful of Guy Bourdin’s and Helmut Newton’s photos.
There was an almost hallucinatory depth to her digital printed clothes. The real revolution was how Mary modeled the shape to go with the graphics of interior designs. Are you up for wearing “room” this summer?

ALEXANDER MCQUEEN: Sarah Burton who had worked beside McQueen for 15 years, took over the cepter after the designer’s death last February. The S/S 2011 show, her first solo one, grabbed hold of his legacy and defined the same fantasia McQueen was so famous for. This time a hymn to nature, superb in its construction.
One of the biggest differences was that Burton softened the staging, a concept that was always so  vital to a McQueen show. It was a pleasure to see that there is a more feminine vision for the house but with the same theatrical love for detail.

HERMES: Time to say good-bye for Jean-Paul Gaultier and he couldn’t have done it better. His last collection for the traditional French house boasted of master tailoring, sensuous glamour and leather at its finest. “Zorro in Andalusia” celebrates Hermès’ equestrian elegance heritage could have been the headline. Good luck to Lacoste defector Christophe Lemaire! Taking these luxurious reins seems to be quite difficult…

CELINE: The collection was once more strong in its remarkable simplicity even that Phoebe Philo laid her hands on artisanal effects like hand-woven silks, fringes and vibrant colours. Her motto „less is forever chic“ has determined the codes of her hugely influential designs.

CHLOE: Minimalism at its best. Classic, timeless pieces that women can make their own and customise at will. The tutu-like skirts, reminiscent of the world of ballet, were among my favourites. Congrats, Hannah MacGibbon, for this lovely collection!

ERDEM: Erdem Moralioglu, the upcoming designer of Turkish origin, took his audience to Russia for his S/S 2011 presentation in a London park. He had been involved this summer with Victoria & Albert Museum’s Diaghilev and the Golden Age of the Ballets Russes, 1909-1920 exhibition.
The experience had been so inspiring that it shaped the substance of his collection where delicate dresses that clearly reflected the structure and flou of ballet costumes dominated the look. Once again floral motifs sprinkled the collection and were complemented by Nicholas Kirkwood’s gorgeous shoes tied up the calf like ballet slippers. I am sure that we will see much more of Erdem in the future.

STELLA MCCARTNEY: Even that I have to admit that I prefered Stella’s cruise 2011 collection, I am always in love with her practical, easy chic. The mother of four knows what she is talking about. Her key pieces are ideal companions to feel good in, even her long skirts split up the thighs swing comfortably with class. First bananas at Prada, now grapefruits and lemons at Stella that put us in a good mood. Her suits in pastel colours were strong on the runway and denim made a boxy shape debut. Thumbs up!

HAIDER ACKERMANN: One thing is for sure, the days that Haider Ackermann was only a fashion insider’s favourite secret are definitely over. His S/S 2011 collection was outstanding in its beauty. Origami folds, kimono jackets and obi belts were among the Asian references. Dramatic effects and strong colours for a glamorous red carpet moment.

DIOR: Betty Page, the model from the 50s that invented the pin-up look, goes on vacation to Hawaii – this South Pacific-style fantasy dominated John Galliano’s collection for Dior. The colours and floral prints on exquisite chiffons, the ankles tied with satin, this island extravaganza put you immediately in the holiday mood. Very cute.

BALENCIAGA: This was probably the most futuristic, unexpected and innovating collection of all. Nicolas Ghesquière defied the fashion codes and came up with new ones. His teddy boy-meets-punk masculinity was the reaction to a certain kind of sexiness. For him it was all about individuality. The talented fashion troublemaker used plasticized textures and couture techniques that were modernized with laser machine precision cuts.
It might take a while to adapt to the look but once you get it, you will be all over it!

BALMAIN: Honestly, the time of Balmain might come to an end as there are always the same sharp-tailored rock allure pieces on the runway but I still love them so much.
This time, Christophe Decarnin shortened the shorts and minis as much as he could and looked for punk rebellion for inspiration. Studded and safety pinned biker jackets, bleached jeans and holey T-shirts were among his favourites. Let’s hope that the Balmainia is still strong enough to convince the fashionistas to pay so much for this DIY-look…

Stay tuned as I will go much more into detail during the next weeks about the trends and must-haves for S/S 2011.
If you are interested which collections were my Top 20 for F/W 2010, please click here.

To a very promising and cheerful looking summer!

LoL, Sandra

Thanks for all the lovely feedback on my Paris Fashion Week posts! Many of you were asking me about the leopard bag I carried at the Louis Vuitton show last Wednesday. This tote has been a must since Phoebe Philo presented it for her first Céline S/S 2010 collection followed by even more stunning versions for F/W 2010.

The designer who had been Stella McCartney’s assistant at Chloé before taking over the helm at the well-known French fashion house, was the mastermind behind the Chloé Paddington, one of the most popular It-bags of the last decade. Now with Phoebe’s return into the world of fashion (after some time off dedicated to her family), Céline is a hit both with fashion editors and customers alike.

The so-called Boston bag from the luggage collection is just perfect. It comes in three different sizes. Classic and modern, attention-seeking without being overloaded – those attributes might describe it the best. The only problem is that it is available in so many material and colour combinations which makes it a nightmare to choose. The medium leopard one was screaming my name. Under which spell will you be falling?

LoL, Sandra