THE INSEPARABLES
MEET FASHION’S BOMBASTIC DUO
Ten years ago, Viktor Horsting & Rolf Snoeren wished upon a star. Their wish was to create a fragrance that would make the world a better place. Their wish came true and with Flowerbomb another success story of the avant-garde Dutch fashion house was born.
The sun is shining in Paris. It is the morning after the 10-year anniversary party of Viktor & Rolf’s highly succesful fragrance «Flowerbomb» and the day after their latest Haute Couture fashion show. Even I feel a little tired because of all the great impressions from yesterday. Yet, I am full of energy and excited to meet the designer duo in person.
I wear a silk top and skirt with bow embellishments from one of their previous collections (for the outfit post, click here please) and when I enter the suite at the Peninsula hotel, they recognize it in a second and I am greeted with two big smiles.
«REALITY IS BORING. WHAT IF WE MAKE IT UP?»
My first impression? As trivial as it sounds, I like them immediately. Fashion and fragrances, both are about fantasy and the designer duo knows exactly how to cater to that. In an intellectual, yet theatrical way, I am immeditaley transported into their world.
But who are those two Dutch men that would like to make the world a better place with their creations? Their vita reads like a bedtime story, like twins who were seperated by birth and found themselves at a later stage in life. Both were born in 1969 not far away from each other. They met during their studies at the Arnhem Academy of Art and Design and began working together upon graduation. In 1993, they won a talent contest and launched their namesake label.
Viktor & Rolf x H&M (2006)
First, their creations were presented in art galleries until they showed their first Haute Couture show in 1998, followed by their ready-to-wear collections in 2000. In 2006, H&M worked with the avant-garde pair for the at that point only third of the mass-retailers designer collaborations. Many more were about to follow, such as a luggage range for Samsonite, a reinterpretation of the Piper-Heidsieck champagne bottle (they turned it upside down and labeled it pink) and a line of false couture lashes for Shu Uemura. Just to name a few.
Viktor & Rolf x Piper-Heidsieck (2007)
In 2008 Italian clothing magnate Renzo Rosso, President of OTB Group, the holding group of Maison Martin Margiela,, Marni and Diesel, bought a controlling interest in the company which gave Horsting & Snoeren the possibilty to create pre-collections and catwalk shows that kept the label on everyone’s lips.
Viktor & Rolf Haute Couture F/W 2015
This fall, Viktor & Rolf will take a break from the ready-to wear schedule after their F/W 2015 presentation to focus on their couture line which is every season a creative atomic bomb.
«WE SEE OURSELVES AS FASHION ARTISTS»
The day before the interview, they had presented their so-called «Wearable Art» F/W 2015 Haute Couture collection at the mezzanine space of Palais de Tokyo. During the show, the designer duo interacted on stage by taking broken picture frames filled with fabric of a wall and transforming them into gowns that they draped over the models.
Ten years ago, another artistic runway presentation had taken place. With three whispering words at the mid-point of the S/S 2015 ready-to-wear show featuring a collection rendered in black and dark tones – «Flowerbomb, Flowerbomb, Flowerbomb» – the stage revolved, revealing a completely transformed tableau vivant of models in a palette of pinks, roses and creams. It was a defining moment for Viktor & Rolf to launch their first female fragrance and intricately linking it to their powerful fashion collections – both a symbol of transformation and empowerment.
«WE FEEL A STRONG NEED TO REFOCUS ON OUR ARTISTIC ROOTS.»
F/W 2015 will be your last ready-to-wear collection because you would like to concentrate on couture. Why is that?
V&R: It was an artistic decision. We started to show couture in the beginning of our career and we returned to it for our twentieth anniversary two and a half years ago. This is what we really love so we want to focus on it. The great thing about couture is that you can take it to the extreme. It is like poetry for ideas. It gives us more freedom as the fashion system can be very demanding.
Will couture influence your fragrance line? It seems rather obvious that you would enter the world of Haute Perfumery as a next step.
V&R(Both smile): Kind of the next project. It is too early now to speak about it.
How did the «Flowerbomb» project get started? Were you approached by L’Oréal or vice versa?
V&R: L’Oréal came to us. They recognized the storyteller in us. We dreamt of a fragrance that had the power to spread a positive message.
«Flowerbomb», that is very innovative in its gourmand approach, was created by Oliver Polge, Carlos Benaim and Domitille Bertier. How were you involved in the process of making your first fragrance?
V&R: Well, it started with the word «Flowerbomb». That was our idea because we are very drawn to flowers. It becomes easily just pretty. The name is about opposites that attract. Opposites that create something new when put together in an unexpected way. A perfumer is an artist in its own. When we smelled it first, we knew that is it.
In 1996, we already had done an art project in a gallery. At that time, we didn’t have a career yet just big dreams so we visualized our ambitions in small installations with dolls. There was for instance a doll in a photo studio or a shop.
A fake perfume was also part of the exhibition because we thought it would be great to have our own scent. It was made in a limited edition of 250 and you couldn’t open the bottle. It was sealed so that its smell stayed a mystery. Everything showed our desire and ambition to be a designer.
What does perfume mean to you?
V&R: It’s a very direct and tangible way to express an emotion. And that is the challenge to create a perfume, to do it in a good way. To be clear. You have a name, an image, a bottle, a fragrance, a message you sent. So you have to get all those factors right in the beginning.
When you smell a woman wearing «Flowerbomb», how is that for you?
Viktor: Sometimes it is weird when you see somebody in the street wearing «Flowerbomb» or «Spicebomb», our male fragrance. It almost feels like borderline and inappropriate as if you know something about this person you shouldn’t know.
Rolf: I always want to see who wears it when I smell it.
The ad campaign was created together with your friends, the famous photographer duo Inez van Lambsweerde & Vinoodh Matadin. It hasn’t been changed for a decade. Couldn’t you imagine a famous face for «Flowerbomb» as most of the fragrance houses do?
Not so easily. What we like about the ad is that it is a mystery. It is about the story of «Flowerbomb», the emotion, the feeling and not about one woman. It is about an idea, not about a celebrity and wanting to be that celebrity. It is aspirational in a different way.
Tori Amos on stage at the 10-year anniversary party of Flowerbomb.
Do you have a woman in mind you would love to dress?
Rolf: Yesterday, hearing Tori Amos sing «Wishing Upon a Star» in our couture cape from the Zen collection a few years ago was a dream come true. She is a real «Flowerbomb».
Would you agree, Viktor?
Viktor: I would agree, we dressed many celebrities. But with Tori a personal relationship has evolved over the years and that adds a meaning to the dressing.
How can I imagine your creative process?
It is a constant discussion. We whats up from the moment we wake up. It is very continious, one thing informs the other. Right from the start already, we felt that our work flow went really well. We had a conversation 23 years ago and it is still ongoing. Literally we start with words, then come up with ideas. We have to make it very clear and visualize it before actually getting started.
You always seem to be in line. Do you ever fight or argue?
V&R (Both laugh): Not so much. It is very easy. If we disagree in work, we talk about it and it means to us it is not finished.
What do you admire about each other?
Rolf: He is my best friend. I cannot really decribe it and I don’t want to because he means everything to me.
Viktor: That is very sweet. Thank you! It would be diminishing to put it into words but Rolf you are a genius. That is it for starters.
If you are in a relationship. How do your partners cope with the strong bond you are having?
V&R: If there is a partner, it is a given. They know from the beginning how close we are.
Viktor & Rolf’s Paris store is located at 370 rue Saint-Honoré.
You seem to wear similiar outfits a lot of times. Do you whats up each other in the morning what you are going to wear?
V&R (Both laugh): It used to be but not so much anymore. It is more about the same style.
Do you wear other designers?
V&R: Not really other designers. Mainly our own things or things that we don’t make like a Nike sneakers.
Which scent are you both wearing?
V&R: Spicebomb in the extreme version.
How do you get creative?
V&R: We talk a lot, it doesn’t always come easily. Sometimes you have to force yourself to sit down. just work and pull it out of yourself. Getting a deadline helps a lot though.
Viktor & Rolf sweets during the interview.
In our times, being in business for 10 years is an amazing success for a scent. Do you see your fragrance line in collaboration with L’Oréal as a marketing tool?
V&R: Oh yes, in our times, when everything is so disposable, it is amazing to have something that has a meaning. Especially considering the fact that when we started making it, we weren’t thinking of other people. We wanted something that we are prone to, that is important to us. That it became such a success, is just amazing.
What do you think about social media and its fastness?
We are very ambivalent. Thinking of how we grew up in the Netherlands, there was not a lot of fashion. It is great how up-to-date and connected the kids of today are. At the same time it looses mystery, and it becomes so disposible, but we use for example Instagram. For our last couture show we tried to make images that didn’t exist before.
Do you manage your own instagram account?
We have an assistant with whom we do it together but we look at it as well.
Viktor & Rolf Haute Couture F/W 2015
What are you most proud of in terms of your career?
Our friendship.
Is there a collection that you are most proud of?
V&R: Several ones, but the last couture show was for us an achievement, as we tried to get to the essence of our work, who we really are.
Viktor & Rolf. The brand in 3 words.
Viktor(smiles): Can it be six?
Provocative couture. Unexpected elegance. Conceptual glamour.
These are the creative pillars that define the avant-garde house of Viktor & Rolf.
Thank you, Viktor & Rolf for this amazing interview!
A lovely surprise waited for me upon my arrival in my hotel room: the Mini Bombette bag.
Viktor & Rolf surely cannot be pigeonholed. They are like the magicians of fashion for me and I am very curious to see their future projects and collections now that they can concentrate on their artistic skills. «Flowerbomb» is still growing a stronger audience and for the designer duo a good base to make most out of their business. Trust your heart, and success will come to you. In case of Viktor & Rolf, it absolutely seems to be true.
LoL, Sandra
Photos: Courtesy of Viktor & Rolf, © Sandra Bauknecht
Illustrations: Franáois Berthoud
The son of an Italian father and a Mexican mother who grew up in San Antonio, Mr. Mondini-Ruiz gave up a law career to become a full-time artist in 1995. His first works were installations that favored kitschy found objects, then smaller assemblages of same. Accessibility, portability and spontaneity were key concepts.
A recurring and central theme in her sensually bright and vigorous paintings is the woman in her sexually-determined existence. It turns out that the similar-looking women depicted in her paintings is Bach herself. In 1978 she began to paint self-portraits often disguised as still-lifes, using an array of utensils and accessories with which she defines herself as a woman. Explicitly erotic elements dominated her work in the early 80s. In the late 80s, her work began to transform to a more reserved style.